Wednesday, September 25, 2019
Midwestern songs
Nov. 21st
The Metro
Dillinger Four
Modern Life Is War
The Arms Aloft
C.H.E.W
Midwestern titans D4 return for two dates. I'm heading out to the Metro show, though I have a love/hate stance towards it. Either way, should be good.
Thursday, September 19, 2019
Revival
10 years.
Or at least it's been almost 10 years. It's been a while since I last posted something of sustenance. If I can remember clearly, I was doing 40+ hours for a part time job, while also juggling 40+ hours of a career that never seem to be (Didn't help I was clearly terrible at science, attempting to get a doctorate job. That didn't do any justice). I still had all the time to see bands come and go, and hear awesome records but didn't do a review. It was laziness I won't lie, but honestly, I had lacked a joy to do so.
I remember reading stories about how most people in a hardcore/punk scene almost reach a midlife crisis before 30. Not in the sense that they're losing hair or sex-drive, but rather, Do I grow up or don't? I didn't relate at the time and how would I? I still had a bit more of a rebellion to give, why stop now? And even if I did, how do I leave this all behind. Punk as a whole shaped me. My ethics, my views, etc. To give that all up would be to sell out, and for what? 10 years later on the world is worse than it was before. People are complacent. the punk scene as a whole seems non existent. It's not, but things change. MRR is done, the blogs of yesteryear are either dead or vacant. I shouldn't be one to complain, since I was too complacent till now. Even with most of the heavy hitters gone, most have went to Youtube, where you not only get the whole album at your fingertips, but some funny anecdote to go along with. And the bands? Yea, sure my mysterious guy scene is buried, but I've witnessed some fantastic bands here and there. The attitude is still alive, but it still needs a kick in the ass.
If anyone still checks these out, more is coming. Might be newer bands, might be older bands I wanted to post. Shit, it could also be other things I wanted to put out. The funny thing about leaving this blog vacant is finding other recreational activities (I think they're referred to as hobbies) to get hyped about, so if I post some rant about wrestling, don't think I'm weird, as that is already considered a truth. Also in taxidermy, so you know, that's a thing.
Or at least it's been almost 10 years. It's been a while since I last posted something of sustenance. If I can remember clearly, I was doing 40+ hours for a part time job, while also juggling 40+ hours of a career that never seem to be (Didn't help I was clearly terrible at science, attempting to get a doctorate job. That didn't do any justice). I still had all the time to see bands come and go, and hear awesome records but didn't do a review. It was laziness I won't lie, but honestly, I had lacked a joy to do so.
I remember reading stories about how most people in a hardcore/punk scene almost reach a midlife crisis before 30. Not in the sense that they're losing hair or sex-drive, but rather, Do I grow up or don't? I didn't relate at the time and how would I? I still had a bit more of a rebellion to give, why stop now? And even if I did, how do I leave this all behind. Punk as a whole shaped me. My ethics, my views, etc. To give that all up would be to sell out, and for what? 10 years later on the world is worse than it was before. People are complacent. the punk scene as a whole seems non existent. It's not, but things change. MRR is done, the blogs of yesteryear are either dead or vacant. I shouldn't be one to complain, since I was too complacent till now. Even with most of the heavy hitters gone, most have went to Youtube, where you not only get the whole album at your fingertips, but some funny anecdote to go along with. And the bands? Yea, sure my mysterious guy scene is buried, but I've witnessed some fantastic bands here and there. The attitude is still alive, but it still needs a kick in the ass.
If anyone still checks these out, more is coming. Might be newer bands, might be older bands I wanted to post. Shit, it could also be other things I wanted to put out. The funny thing about leaving this blog vacant is finding other recreational activities (I think they're referred to as hobbies) to get hyped about, so if I post some rant about wrestling, don't think I'm weird, as that is already considered a truth. Also in taxidermy, so you know, that's a thing.
Saturday, September 8, 2012
Total Trash s/t Tape
Boy, it really does make my day to hear some gracious new sounds from upcoming bands. Total Trash is one of these up and comers that will definitely turn some heads into their direction and leave them scratching and aching for more. Their self titled tape is a good place to start, the first of many releases for this Minneapolis quartet.
It's really hard to draw comparisons with other bands, especially in regards with this release. All of these tracks are pretty diverse within the realm of sounding hardcore, either from speeding up the pace within a couple tracks ("Eye Candy Girl", "Glitter") or slowing things down relinquishing an angrier, sludgier noise that would make even a sludge metal fan cringe ("Biblical Names", for starters). This is all a plus though, because it has something any hardcore fan can enjoy, whether it's getting hyped up from the band's faster songs or taking in the angry vibe from their slower, heavier tracks. I dug the entire tape, based on all this. In this day in age where most bands often are reduced to playing at a certain standard, it's great to hear bands take things up a notch and go in a different direction with a particular sound, while still managing to keep things fresh and in line.
Any tracks that would ring these points true? "Biblical Names" is one that comes to mind, the first track to really bring in that sludge vibe within the intro. I won't lie, the vocals sound pretty harsh, but it's what makes the track standout. As I said before, it's hard to really draw comparisons but I draw more of a connection with Lebenden Toten with the overall sound from "Biblical Names". That's just me though, but I'm sure a few would probably agree. From first checking out their bandcamp, one track had caught my eye and solidified that I had to check out this tape, aptly titled "Lesbian Blowjob". After I had stopped giggling to myself, I thought this track was another visible gem, being caught in the chaotic mess of screams, hypnotic guitar riffs, and powerful drum blasts. Pure fun, if I do say so myself. The last track off the B-side, "Far Out Dude", perfectly ends the tape on a high note, taking in more of a punk influence compared the mentioned tracks. Overall, I'm impressed.
If this sounds like this would fit into your alley of music, I'd advise for you to check it out. In the mean time, I'll bring in some more reviews when I have the chance. Til then, cheers!
Total Trash Bandcamp
Monday, September 3, 2012
We Own The Night
Sept 9th 2011
Albion House- 2PM, $8
Salvation
Divine Right
Skrapyard
Cadaver Dog
Mousetrap- 7PM, $8
Salvation
The Ropes
Violent End
Negative Degree
Civilized
Cobra Lounge- 10PM, 21+, $12
Negative Approach
Hoax
Violent End
Kontaminant
I'll be at the Mousetrap, which somewhat makes up for Negative Approach. Not really, fuck.
Albion House- 2PM, $8
Salvation
Divine Right
Skrapyard
Cadaver Dog
Mousetrap- 7PM, $8
Salvation
The Ropes
Violent End
Negative Degree
Civilized
Cobra Lounge- 10PM, 21+, $12
Negative Approach
Hoax
Violent End
Kontaminant
I'll be at the Mousetrap, which somewhat makes up for Negative Approach. Not really, fuck.
Monday, July 23, 2012
More Agression
7/28/2012
Albion House
7pm, $8
Weekend Nachos
No Class
Dark Ages
Side FX
Dark Ages is what sold this on me. Their last LP is a definite masterpiece and a future cornerstone for Hardcore in the 2010's. Anyways, this show will be a rager so I'd come out if you have the chance.
Wednesday, May 23, 2012
Double Negative/ Broken Prayer/ Sea of Shit/ Cold Lovers- The Mousetrap
Not gonna lie, this definitely made my week hearing that Double Negative were taking another stroll down Chicago again. Since I missed out on there previous visit at Treasuretown around the time daydreamnation was released, I've been kicking my self endlessly. Now, it's somewhat still there, considering the lineup changes the group had taken but it didn't stop me none the less; Double Negative is still Double Negative whoever is still in the band. Aside from that, it didn't hurt to see the rest of the lineup, hearing nothing to but great things so why not take the time to visit.
At this point, I'm already familiar with the Mousetrap, as well as some of the locals around the city. Ever since the last couple of shows have taken place (Notably Raw Nerve and Hoax), a lot of people are wanting to take a gander. Who can blame them really, there has yet to be a "bad" show there. None the less, the vibe there was pretty much the same; punks just hanging around conversing, waiting for the first band to grace their presence. I kept to myself mostly, keeping in the adrenaline of seeing Double Negative. I don't mean to praise them a whole lot, but I have my own favorites. Odds are you'd probably agree with me.
First band up was Cold Lovers, a four-piece local band that really reminded me of an aggressive version of Joy Division. For the most part, I dug there set though a lot of little factors made it hard for me to really enjoy their set. Nothing too huge, but either way, Cold Lovers really put on a good set. I was pretty impressed with their vocalist and her ability to engage herself with the crowd. Throughout the set, you'd see her strutting around and making room for a pit, pushing the guys hanging out in front of the band. The girl's got balls, and rhythm too. The rest of the band didn't do too bad either, keeping their pace and timing exact barely missing a beat. I may have to listen more to these guys to really consider myself a fan, but that wouldn't be a bad idea.
Sea of Shit were up next, another band to keep an eye out if you're fond of the powerviolence genre. It took me a couple listens to really get into the band but after awhile, I enjoyed their songs. Any who, the band played with flat out no bullshit aggression, based on the first notes being played. Their vocalist was pretty menacing I should say, having a deadpan look throughout but coming off very pissed once he open his mouth and howled out a guttural yell. Overall, Sea of Shit were pretty tight with their set, and the crowd provide a small spark of enjoy throughout. From what I heard before the show had started, it was going the guitarist's last show with the band. Though the search for a replacement is underway, a hiatus might take place as well if nothing comes to their way. Kind of glum news to hear, but I'm glad I managed to finally see them.
Next up was Broken Prayer, definitely a band to keep an eye out for in the near future. In my opinion, they definitely took some cues from past post-punk bands such as Fugazi and the Wipers and meshed it into their own sound. The crowd definitely dug their set, dancing and moshing for a good majority of their set. It was fun seeing everyone chant to the lyrics and even pry up their vocalists for a little crowd surfing here and there, with smiles on their faces. Sorry State Records is planning on releasing a future Broken Prayer LP sometime soon, so if Post-Punk fits among your repertoire of music, I'd go on and take a gander.
Last but certainly not least, Double Negative came up with a brief introduction of "We're Double Negative from Raleigh North Carolina" and went into their set at full speed. As I stated previously, the lineup has been shaken up due to the long-term absences of vocalist Kevin Collins and drummer Brian Walsby. Since then, former Logic Problems vocalist Cam and drummer Bobby Michaud have filled the void of Collins and Walsby. As disheartening it is to hear, the show must go on and it did. It would be hard to say that this was their most strongest performance (being it's the first time I'm seeing them), but they definitely put on a pretty strong effort of explosion throughout. Cam did a fantastic job of getting the crowd revved up and going throughout. Culling from their back catalog of hits from daydreamnation and the wonderful world, Double Negative pulled new tracks off their sleeve, specifically "Suicide Suicide", off their recent 7 inch Hits. The crowd were heavily into their set, chanting, moshing, and pull all sorts of mayhem. Though I didn't get to hear some of my own favorites such as "Meine Trappe" or "The Jacket", it really made my night once they cranked out "Beg to a Vile Nude" out of their pockets. Pretty fucking phenomenal.
It was epic finally able to see Double Negative and the rest of the lineup. If there's one thing I learned but missed opportunities it this; Make room for any thing cause second chances rarely happen. I would have kicked myself even harder if I had missed out again. Talk about fucking up.
If interested in some demos, merch, from any of the bands mentioned, I provided links. From the looks of the show coming up in June, it's shaping up to be one pretty awesome summer. Cheers!
Sorry State Records
Sea of Shit
Cold Lovers
Broken Prayer Soundcloud
At this point, I'm already familiar with the Mousetrap, as well as some of the locals around the city. Ever since the last couple of shows have taken place (Notably Raw Nerve and Hoax), a lot of people are wanting to take a gander. Who can blame them really, there has yet to be a "bad" show there. None the less, the vibe there was pretty much the same; punks just hanging around conversing, waiting for the first band to grace their presence. I kept to myself mostly, keeping in the adrenaline of seeing Double Negative. I don't mean to praise them a whole lot, but I have my own favorites. Odds are you'd probably agree with me.
First band up was Cold Lovers, a four-piece local band that really reminded me of an aggressive version of Joy Division. For the most part, I dug there set though a lot of little factors made it hard for me to really enjoy their set. Nothing too huge, but either way, Cold Lovers really put on a good set. I was pretty impressed with their vocalist and her ability to engage herself with the crowd. Throughout the set, you'd see her strutting around and making room for a pit, pushing the guys hanging out in front of the band. The girl's got balls, and rhythm too. The rest of the band didn't do too bad either, keeping their pace and timing exact barely missing a beat. I may have to listen more to these guys to really consider myself a fan, but that wouldn't be a bad idea.
Sea of Shit were up next, another band to keep an eye out if you're fond of the powerviolence genre. It took me a couple listens to really get into the band but after awhile, I enjoyed their songs. Any who, the band played with flat out no bullshit aggression, based on the first notes being played. Their vocalist was pretty menacing I should say, having a deadpan look throughout but coming off very pissed once he open his mouth and howled out a guttural yell. Overall, Sea of Shit were pretty tight with their set, and the crowd provide a small spark of enjoy throughout. From what I heard before the show had started, it was going the guitarist's last show with the band. Though the search for a replacement is underway, a hiatus might take place as well if nothing comes to their way. Kind of glum news to hear, but I'm glad I managed to finally see them.
Next up was Broken Prayer, definitely a band to keep an eye out for in the near future. In my opinion, they definitely took some cues from past post-punk bands such as Fugazi and the Wipers and meshed it into their own sound. The crowd definitely dug their set, dancing and moshing for a good majority of their set. It was fun seeing everyone chant to the lyrics and even pry up their vocalists for a little crowd surfing here and there, with smiles on their faces. Sorry State Records is planning on releasing a future Broken Prayer LP sometime soon, so if Post-Punk fits among your repertoire of music, I'd go on and take a gander.
Last but certainly not least, Double Negative came up with a brief introduction of "We're Double Negative from Raleigh North Carolina" and went into their set at full speed. As I stated previously, the lineup has been shaken up due to the long-term absences of vocalist Kevin Collins and drummer Brian Walsby. Since then, former Logic Problems vocalist Cam and drummer Bobby Michaud have filled the void of Collins and Walsby. As disheartening it is to hear, the show must go on and it did. It would be hard to say that this was their most strongest performance (being it's the first time I'm seeing them), but they definitely put on a pretty strong effort of explosion throughout. Cam did a fantastic job of getting the crowd revved up and going throughout. Culling from their back catalog of hits from daydreamnation and the wonderful world, Double Negative pulled new tracks off their sleeve, specifically "Suicide Suicide", off their recent 7 inch Hits. The crowd were heavily into their set, chanting, moshing, and pull all sorts of mayhem. Though I didn't get to hear some of my own favorites such as "Meine Trappe" or "The Jacket", it really made my night once they cranked out "Beg to a Vile Nude" out of their pockets. Pretty fucking phenomenal.
It was epic finally able to see Double Negative and the rest of the lineup. If there's one thing I learned but missed opportunities it this; Make room for any thing cause second chances rarely happen. I would have kicked myself even harder if I had missed out again. Talk about fucking up.
If interested in some demos, merch, from any of the bands mentioned, I provided links. From the looks of the show coming up in June, it's shaping up to be one pretty awesome summer. Cheers!
Sorry State Records
Sea of Shit
Cold Lovers
Broken Prayer Soundcloud
Wednesday, April 18, 2012
Raw Nerve/ SQRM/ Vile Gash/ Manipulation/ Culo- the Mousetrap
The past weekend as I stated previously with the flyers had Raw Nerve playing their last sets, ever. In two nights, Raw Nerve capped off their entire history playing with the likes of Ceremony and The Ropes, as well as future legends in the making such as Vile Gash, Culo, and Divine Right. I managed to catch their actual last set held at the Mousetrap on Saturday, being unable to see the previous night. Though I didn't get to see The Ropes, I still managed to catch Manipulation, Vile Gash, and my utter most favorites, Culo and at one of favorite places so I wasn't that disappointed.
I got there in time, considering the person capacity at the venue was 200 max; I was number 139, damn. After about 15-20 minutes waiting for the show to start, Culo was able to grace the stage and provide the soundtrack for teenage rebellion. The group cranked and yanked out hit after hit, not even stopping to provide their usual stage banter on whatever floated vocalist John's mind. Wearing this all black beret and leather-jacket, John really seemed focused and serious whilst the band kept on delivering the goods. The crowd , of course, ate it up, stagediving, moshing, and chanting to "Wasted on Wine", "I Don't Wanna Listen", and "Toxic Vision". For the most part, the band was really serious which was first to really see in my case, being the last couple times the band either took longer to play or usually engaging in other antics. Whether they were serious or not, Culo managed bring a damn good set.
Once the break was all over with and everyone was able to cool down from being all packed in, Manipulation was next. If you ever slept upon this band or just never stumbled upon the name, I would recommend to do so. Manipulation play a barrage of hardcore that would be expected to fall in the likes of Articles of Faith, Chronic Seizure, among others. The band got started with their set and impressed many throughout the venue. Though the craziness had calmed down compared from earlier, many people still were digging the show, either bobbing their heads down or engaging in a little mosh. I really dug this band and am glad I managed one of their sets, seeing as I enjoyed their 2nd EP released by Sorry State a while back. Hopefully it's not the last once I get my shit straightened out.
Vile Gash took over the show, literally. It seemed like this band never ran out of gas during their entire set, going straight forth into their set-list a top speed. Though I seem to have trouble getting into this band, there were some cool positives from Vile Gash. For one, they manged to pull off a Negative Approach cover quite successfully. Most might be able to grasp how irritating it can be to hear a bunch of knock off, pseudo-jockcore bands try their "hardest" to tackle a band from what many consider to be the staple of real hardcore. Second, Vile Gash did bring a hard-hitting set that I would have expected them to hit, without putting the crowd to sleep. It'll probably be a lot easier if I give them a couple more listens; I'll probably be persuaded otherwise.
SQRM was surprise favorite during the show, really bringing the house to it's knees. I hadn't listen to SQRM in a long while, so I really didn't know what to really expect out of their set. Consisting of a guitarist, drummer, and vocalist, SQRM played outstanding. For being a non-listener to the group, they really nailed it on the head. The singer was all over the place; giving off menacing looks and getting really physical along with the crowd. At one point during the set, he was actually doing some push-ups while the band had finished one of their songs with the crowd cheering them heavily. Much like Vile Gash, I'm gonna give SQRM another couple of listens to fully appreciate their music. Otherwise, Impressive fellas!
Last but not least, Raw Nerve was up next and put the final nails in the coffin to cap off the night. In all the times I've seen Raw Nerve, I was never disappointed at all by their approach to hardcore. This night was no particular, if not probably their best set I can recall, fittingly so being it was their last one. Ralph Rivera, the vocalist, started to give out some props to the crowd and the people responsible for putting Raw Nerve out to the nation before the band started playing "Victim In Pain". From there, it was survival of the fittest. Bodies were either flying all over the place or just mushed together the entire time. Even during the little breaks the band took, it didn't change. Pulling out songs from their catalog such as "Origin of Species", "New Neighbors", "Crosses", and "Rest" to name a few, Raw Nerve definitely brought the energy that was expected and even needed. I don't even think the band had any idea that it was gonna be this chaotic, despite the bill and it being their last set.
Overall, the show was pretty fucking awesome. If there was any other way to go out on a final note, Raw Nerve did it perfectly. No bullshit, just strictly hardcore. Despite drawing controversy from all over the place, whether it was their approach to their artwork, how they played hardcore, or just the little stupid things that would otherwise be useless in defining a band, Raw Nerve are one of the most important bands to come out the Midwest during this current renaissance of hardcore. If anything, the band deserves the recognition and fame that comes along for every great band, ignoring the negativity that also occurs. If one thing, they managed to introduce me to a scene that I felt was extinct in Illinois. For bringing life to the hardcore/punk scene, thank you.
Raw Nerve has one last EP to released by Youth Attack, which is forth-coming and will obviously knock your heads in. Keep an eye out for a future documentary on Raw Nerve and their final tour coming soon. Till then, see you guys later and enjoy this piece of gem.
I got there in time, considering the person capacity at the venue was 200 max; I was number 139, damn. After about 15-20 minutes waiting for the show to start, Culo was able to grace the stage and provide the soundtrack for teenage rebellion. The group cranked and yanked out hit after hit, not even stopping to provide their usual stage banter on whatever floated vocalist John's mind. Wearing this all black beret and leather-jacket, John really seemed focused and serious whilst the band kept on delivering the goods. The crowd , of course, ate it up, stagediving, moshing, and chanting to "Wasted on Wine", "I Don't Wanna Listen", and "Toxic Vision". For the most part, the band was really serious which was first to really see in my case, being the last couple times the band either took longer to play or usually engaging in other antics. Whether they were serious or not, Culo managed bring a damn good set.
Once the break was all over with and everyone was able to cool down from being all packed in, Manipulation was next. If you ever slept upon this band or just never stumbled upon the name, I would recommend to do so. Manipulation play a barrage of hardcore that would be expected to fall in the likes of Articles of Faith, Chronic Seizure, among others. The band got started with their set and impressed many throughout the venue. Though the craziness had calmed down compared from earlier, many people still were digging the show, either bobbing their heads down or engaging in a little mosh. I really dug this band and am glad I managed one of their sets, seeing as I enjoyed their 2nd EP released by Sorry State a while back. Hopefully it's not the last once I get my shit straightened out.
Vile Gash took over the show, literally. It seemed like this band never ran out of gas during their entire set, going straight forth into their set-list a top speed. Though I seem to have trouble getting into this band, there were some cool positives from Vile Gash. For one, they manged to pull off a Negative Approach cover quite successfully. Most might be able to grasp how irritating it can be to hear a bunch of knock off, pseudo-jockcore bands try their "hardest" to tackle a band from what many consider to be the staple of real hardcore. Second, Vile Gash did bring a hard-hitting set that I would have expected them to hit, without putting the crowd to sleep. It'll probably be a lot easier if I give them a couple more listens; I'll probably be persuaded otherwise.
SQRM was surprise favorite during the show, really bringing the house to it's knees. I hadn't listen to SQRM in a long while, so I really didn't know what to really expect out of their set. Consisting of a guitarist, drummer, and vocalist, SQRM played outstanding. For being a non-listener to the group, they really nailed it on the head. The singer was all over the place; giving off menacing looks and getting really physical along with the crowd. At one point during the set, he was actually doing some push-ups while the band had finished one of their songs with the crowd cheering them heavily. Much like Vile Gash, I'm gonna give SQRM another couple of listens to fully appreciate their music. Otherwise, Impressive fellas!
Last but not least, Raw Nerve was up next and put the final nails in the coffin to cap off the night. In all the times I've seen Raw Nerve, I was never disappointed at all by their approach to hardcore. This night was no particular, if not probably their best set I can recall, fittingly so being it was their last one. Ralph Rivera, the vocalist, started to give out some props to the crowd and the people responsible for putting Raw Nerve out to the nation before the band started playing "Victim In Pain". From there, it was survival of the fittest. Bodies were either flying all over the place or just mushed together the entire time. Even during the little breaks the band took, it didn't change. Pulling out songs from their catalog such as "Origin of Species", "New Neighbors", "Crosses", and "Rest" to name a few, Raw Nerve definitely brought the energy that was expected and even needed. I don't even think the band had any idea that it was gonna be this chaotic, despite the bill and it being their last set.
Overall, the show was pretty fucking awesome. If there was any other way to go out on a final note, Raw Nerve did it perfectly. No bullshit, just strictly hardcore. Despite drawing controversy from all over the place, whether it was their approach to their artwork, how they played hardcore, or just the little stupid things that would otherwise be useless in defining a band, Raw Nerve are one of the most important bands to come out the Midwest during this current renaissance of hardcore. If anything, the band deserves the recognition and fame that comes along for every great band, ignoring the negativity that also occurs. If one thing, they managed to introduce me to a scene that I felt was extinct in Illinois. For bringing life to the hardcore/punk scene, thank you.
Raw Nerve has one last EP to released by Youth Attack, which is forth-coming and will obviously knock your heads in. Keep an eye out for a future documentary on Raw Nerve and their final tour coming soon. Till then, see you guys later and enjoy this piece of gem.
Tuesday, April 10, 2012
The Last Round
Thursday, March 1, 2012
Mind Spiders- Meltdown LP
Much apologies for not posting a lot of entries. I've been trying to get things sorted out for quite awhile so I felt a break was needed. I've been wanting to post a best of list for last year but at this point it's pretty pointless (for those curious, Omegas' Blast of Lunacy was my definite favorite, hands down), especially since March is upon us. With last year on my mind at the moment, it was only rightfully so that I would touch upon the newest release from one of my personal faves, Mind Spiders, seeing as their self titled debut LP is still played on a timely basis. Their newest release, Meltdown, picks things up where they left off and takes it up another notch.
I had actually stumbled upon this band on accident, or intentionally, whatever really describes hearing "Dirty secrets" on my last FM radio about two years back. As good as that 7 inch came across, I mainly put my attention on vocalist Mark Ryan's previous band the Marked Men, never finding (or searching) a cure for those catchy, sugar-laced garage anthems that set them apart from many pop punk bands out now. In my opinion, the Ghost LP is definitely one of the best records of the 2000's that really is underrated and ignored to an extent. Anyways, It took multiple plays of their 7 inch and last year's LP for me to really appreciate the Mind Spiders and anticipate Meltdown. Thankfully, it lives up to the hype.
"You are Dead" opens up this magnificent LP, getting the listener pumped up and excited from it's first listen. Taking on the member's list of their past bands (High Tension Wires, Marked Men, Bad Sports, Wax Museums among the most obvious)poppy garage sound mixed in with lo-fi and dazzling synths, this first track immediately becomes one of many favorites off this LP.
What really makes me obsess with the Mind spiders is Ryan's vocals, one of many elements that sets his acts apart from his contemporaries. To me, his voice sounds like the Beach Boys if they had listened to the first Ramones album and came out with an album now. Combining that voice and providing a catchy hook is what makes their songs stuck in most people's head. "On the Radio" showcases this point, much like "You are Dead". Starting off with a tribal mesh of a drum into, the spiders break into a balls-out punk frenzy of a number that has Ryan crooning that seems to stick with you, making you chant along in the background.
Remember me talking about the synths? I feel the track "More Than You"provides a good example of an instance where synths can work out in a musician's favor. What usually turns me off about the use of synths or anything of relation involving technology is mainly too much of it can be overkill. If not that, there aren't many cases where a synth can really be useful at all in the track. With the Mind Spiders, the addition of a synth provides a vibe that reminds me of the earlier garage hits from the 60's, sort of like Question Mark and the Mysterians. It adds that one-two punch that makes the track pretty poppy and heartfelt, a big plus for the spiders.
One favorite of mine, "Play Out Out" goes back to that chaotic frenzy that made you want to grab a hold of the LP. It's the type of attack that should be required for any band that's welcoming recognition, whether it's pop-punk, hardcore, etc. Another track "Upside-Down", switches it up just for a bit; including a crazy, hypnotic vibe as the band really goes all out in different directions. If I could pick a particular track that really stands out, I'd say it would definitely be "Wait for Us". Although it's a little unfair for me to really state since I had heard the song prior to the album's release, I feel this really exemplifies the Mind Spiders at their best that really brings out the heavy combination of synths, jagged-guitar chords, and a brilliant essence of vocals. Up until this point, I had considered "Dirty Secrets" and "Read Your Mind" the groups greatest creative outputs. It's a different story now, with no complaints on my part.
Dirtnap Records
Up Next:
Tenement 7 inch review
The Men "Open Your Heart" LP/Treasuretown review
Libyans/Kontaminant/Calender Boys Show review
Raw Nerve last show review
Friday, December 9, 2011
Kontaminat Demo

Kontaminat are one of the best bands out now, and their demo proves it. Hailing straight out of Chicago, the group is composed of past members of Chronic Seizure, Los Crudos, Sin Orden, and Rat Bastards. Kontaminat play in the vein of fast, paced hardcore, mixing their previous resumes and creating an entire new take on hardcore. "Team player" opens up the demo with a surf-inspired guitar riff that goes into their own brand of Midwestern hardcore. I'm also seriously digging the track "Timeless", from it's hypnotic mind bending guitar chords, the harsh menacing vocals, and a bass line that just screams trouble from far away. "Costume" is another favorite of mine; encompassing the blitzkrieg attack that would definitely bring Chronic Seizure to mind. A must have for those really into this type of hardcore.
Below is the band's bandcamp where you can download the album in it's entirety. For physical copies, contact anyone from the band or via their facebook.
Kontaminat bandcamp
Wednesday, December 7, 2011
Crazy Spirit, Hoax, Culo, Skrapyard, Other Women show review
Damn, what a night! From recalling this particular event two weeks later, I can't believe I almost missed out on what's been hailed as the best show of the year, by far. I've been to some pretty killer shows this year, as the Omegas show back in May, but this is another contender that's impossible to leave out.
The show took place at an unnamed venue on W Huron street, what I'm assuming is to be a new place, just an assumption so no hassling on my end. Anyway, once I stepped in and observed around, the venue had a sick appeal to it; small and compact, but big enough to still provide room for those getting physical, in length and width. After waiting around for a good 45 minutes or so, the first band was up.
Other Women is one band I hadn't come across before, but I was pretty impressed with their overall set. Composed of members of local Chicago band Regrets, Other Women played a great set of hard-hitting hardcore, as the crowd grew a bit excited from hearing their songs. Haven't seen a vocalist that pissed on stage in quite some time, so he definitely had that energy going off that night. I anticipate hearing more from this band in the next year, and wouldn't be surprised if they got attention nationwide.
Skrapyard played right after Other Women and had the crowd moving, no joke. For those unaware, Skrapyard is another local hardcore band mixed in with meshes of oi, much like 86 Mentality or Urban Blight. Like I said earlier about the venue being compact and small, it was hard not to be affected i.e, moved to the other side within a few seconds and heavily cramped but it didn't ruin seeing Skrapyard's set. The crowd kept chanting to every single song played, and the moshing/crowd surfing didn't cease a bit during their breaks. Hell, I was even in on the chanting during "9 to 5". Prior to their set, I wasn't really sure of what to think of their next release on Youth Attack, or their set, but was convinced they're another band to keep an eye for, so maybe it gets better from here.
Culo was one of main reasons why I headed out, aside from Crazy Spirit. I haven't seen them at their worst, but that's coming from a huge fan of theirs. Much like Skrapyard, the chanting and moshing grew pretty intense, compared than before. Culo nailed out hit after hit, from "Wasted on Wine" to "Military Trend". I was even in on the action, joining the rest of the mutants that night for some chaos. Jokingly, the band took their time, going on with their long breaks and making fun of the audience, especially those whining about not playing. Even more humorous, the guys in charge of sound even played "Culo" from Pitbull and drew a bad response from the vocalist, comically of course. The band ended up closing with a classic in the making "Toxic Vision". Overall, Culo didn't disappoint. Not too sure of any upcoming releases of new material, but for those that missed out on past releases, Derranged is putting a compilation of early Culo material. A must have for anyone wanting to take a gander at true american hardcore.
After about another thirty minutes, Hoax came up afterwards. If they were planing to leave a mark that night, they truly succeeded with their mission. From opening with "Fagget", the crowd were instantly on the prowl, beginning to ensure madness from all directions. With stage dives coming from in front and the sides (one dude climbed up this locker on the side of the room, and jumped off despite being crammed from the little area in between the locker and ceiling), everyone seemed to be in awe of Hoax. The band didn't seem to lose their edge at all, especially the vocalist, whom was throwing punches and beating himself with the microphone. I dig how the band played "Stuck", a growing favorite of mine from the group. Everyone ape up their set, even those unaware of the group. They definitely killed it. For those that are huge Hoax fans, a new EP should be out sometime soon on Youth Attack.
Crazy Spirit was last to play, and they made it worthwhile. They culled just about every song one would expect them to play and some surprise songs too ( A lot more songs from their demo, than their new EP that really surprised me). Once they played "Cool Death", I honestly said to myself "I can finally die with peace of mind". Just from the intro, the crowd fit in line with the groove, putting more force once the song got more quicker. They were instances where the mic went off and you couldn't really hear the words, but it made little difference to me and probably those present during their set. The band closed with "I'm dead", probably the one song played that night from their I'm dead EP released earlier this year. I would have loved for the band to play "This world is not my own", but even then, they still put on one hell of a show.
Like I said earlier, this show definitely ranks at the top. I'm not alone, but that's just the opinions of others. If still unimpressed, they're some videos of this show on YouTube. I'm posting videos of Culo and Crazy Spirit's sets, which are down below. I can't help but still laugh at the stage banter from that night. Till then, I'll probably put up another post of my top tens of this year. Cheers!
The show took place at an unnamed venue on W Huron street, what I'm assuming is to be a new place, just an assumption so no hassling on my end. Anyway, once I stepped in and observed around, the venue had a sick appeal to it; small and compact, but big enough to still provide room for those getting physical, in length and width. After waiting around for a good 45 minutes or so, the first band was up.
Other Women is one band I hadn't come across before, but I was pretty impressed with their overall set. Composed of members of local Chicago band Regrets, Other Women played a great set of hard-hitting hardcore, as the crowd grew a bit excited from hearing their songs. Haven't seen a vocalist that pissed on stage in quite some time, so he definitely had that energy going off that night. I anticipate hearing more from this band in the next year, and wouldn't be surprised if they got attention nationwide.
Skrapyard played right after Other Women and had the crowd moving, no joke. For those unaware, Skrapyard is another local hardcore band mixed in with meshes of oi, much like 86 Mentality or Urban Blight. Like I said earlier about the venue being compact and small, it was hard not to be affected i.e, moved to the other side within a few seconds and heavily cramped but it didn't ruin seeing Skrapyard's set. The crowd kept chanting to every single song played, and the moshing/crowd surfing didn't cease a bit during their breaks. Hell, I was even in on the chanting during "9 to 5". Prior to their set, I wasn't really sure of what to think of their next release on Youth Attack, or their set, but was convinced they're another band to keep an eye for, so maybe it gets better from here.
Culo was one of main reasons why I headed out, aside from Crazy Spirit. I haven't seen them at their worst, but that's coming from a huge fan of theirs. Much like Skrapyard, the chanting and moshing grew pretty intense, compared than before. Culo nailed out hit after hit, from "Wasted on Wine" to "Military Trend". I was even in on the action, joining the rest of the mutants that night for some chaos. Jokingly, the band took their time, going on with their long breaks and making fun of the audience, especially those whining about not playing. Even more humorous, the guys in charge of sound even played "Culo" from Pitbull and drew a bad response from the vocalist, comically of course. The band ended up closing with a classic in the making "Toxic Vision". Overall, Culo didn't disappoint. Not too sure of any upcoming releases of new material, but for those that missed out on past releases, Derranged is putting a compilation of early Culo material. A must have for anyone wanting to take a gander at true american hardcore.
After about another thirty minutes, Hoax came up afterwards. If they were planing to leave a mark that night, they truly succeeded with their mission. From opening with "Fagget", the crowd were instantly on the prowl, beginning to ensure madness from all directions. With stage dives coming from in front and the sides (one dude climbed up this locker on the side of the room, and jumped off despite being crammed from the little area in between the locker and ceiling), everyone seemed to be in awe of Hoax. The band didn't seem to lose their edge at all, especially the vocalist, whom was throwing punches and beating himself with the microphone. I dig how the band played "Stuck", a growing favorite of mine from the group. Everyone ape up their set, even those unaware of the group. They definitely killed it. For those that are huge Hoax fans, a new EP should be out sometime soon on Youth Attack.
Crazy Spirit was last to play, and they made it worthwhile. They culled just about every song one would expect them to play and some surprise songs too ( A lot more songs from their demo, than their new EP that really surprised me). Once they played "Cool Death", I honestly said to myself "I can finally die with peace of mind". Just from the intro, the crowd fit in line with the groove, putting more force once the song got more quicker. They were instances where the mic went off and you couldn't really hear the words, but it made little difference to me and probably those present during their set. The band closed with "I'm dead", probably the one song played that night from their I'm dead EP released earlier this year. I would have loved for the band to play "This world is not my own", but even then, they still put on one hell of a show.
Like I said earlier, this show definitely ranks at the top. I'm not alone, but that's just the opinions of others. If still unimpressed, they're some videos of this show on YouTube. I'm posting videos of Culo and Crazy Spirit's sets, which are down below. I can't help but still laugh at the stage banter from that night. Till then, I'll probably put up another post of my top tens of this year. Cheers!
Wednesday, October 5, 2011
Brown Sugar- Get Fuckin' Mugged
Wow, what a wait. I've been inactive mostly due to outside factors getting the way (school, work, laziness, etc). However, I still kept an eye out for releases that came out along the way. Among them was Brown Sugar's Get Fuckin' Mugged EP, which is fucking brilliant.
Never has hardcore sounded so much sweeter to my ears, displaying a vast arrays of influence found in 80's hardcore scene. Brown Sugar are currently becoming a favorite of mine, mainly impressed how the band changes between tempos, usually playing at high speeds before slowing down then only to go again at high speeds (Mind Funk is a prime example). The hand screened artwork is pretty rad as well, matching with the chaotic madness found on this record. I personally recommend this to any fans of the 80's hardcore scene (Jerry's Kids come http://www.blogger.com/img/blank.gifto mind, if they were heavily on acid) as well as current hardcore favorites such as Culo.
They're still some copies available at the feeble mhttp://www.blogger.com/img/blank.gifinds webstore. With that said, Brown Sugar are plotting a 4 week US tour to coincide with the release of their upcoming Brown Sugar sings of birds and racism LP. I wish I could attend their Chicago date due to prior obligations but so it goes. If they manage to stop by in your town, drop by and be totally warped by Brown Sugar.
Feeble Minds
Narrow Mind
Monday, August 15, 2011
August 15th: Punch, Loma Prieta, 10,000 Leagues, Get Rad, Noose @ Strangelight
Compared to my previous reviews, this will be quite show, considering I fucked up by not heading down right on time. Still though, my buddy and I managed to capture the chaos ensued at the Strangelight. Those there will probably agree that was one hell of a show, so I guess it wouldn't be wrong to say it was.
As I said, I messed up with the start time, considering the last two shows I've been too at the Strangelight usually begin an hour later and I didn't really feel like waiting around for an hour so I headed down and arrived at 8. In doing so, I missed out on seeing Noose and Get Rad. I guess I'll have to wait it out for another Noose show, sadly but I managed to snag me a copy of their 7 inch so it sort of makes up for it. Get Rad also falls into that category, minus any merch snagging. Walking into the Strangelight felt almost similar to entering the first gates of hell; a massive wave of heat was felt throughout the venue, mixed in with an aroma of man sweat. Considering that Noose and Get Rad played, it didn't bring much surprise but damn, they sure left a mark that night.
With Noose and Get Rad out of the picture, the first band we witnessed was 10,000 leagues, a quartet of Los Angeles natives. The band was pretty chaotic, no joke. Playing in the realm of Power Violence, 10,000 Leagues shredded through their set with no problems or hassle. They culled through their recent release and discography, before playing what I considered to be a highlight (a Spitboy cover). 10,000 Leagues are definitely a band to keep an eye on if you're interested in Power violence. Even more so, I was impressed how the band even trekked on during their set, considering how ridiculously fast they were the entire time. We saw each member afterwards literally drenched in sweat, as they paced around outside. Jesus Christ.
Loma Prieta was up afterwards, which by this time my buddy and I were near the back of the venue. I hadn't heard much of this band, so my curiosity was at a high level once they came on. The San Francisco band features members of Punch, Sailboats, Beau Navire, among others that give a better picture of what they might sound like. The band still played a pretty tight set with a good portion of the audience digging their tunes.
Last but certainly not least, Punch came on right after Loma Prieta and got the crowd started early. This was first time playing in Chicago, although they tried to make a show here happen (the ceremony tour from last year in particular, but dropped due to injury sustained by the vocalist), None the less, from the few ten seconds just starting into their set list, we were pushed immediately toward the front, catching a good sight of their vocalist just screaming her guts out into the mic. There was hardly a moment of the audience stopping the madness, even engaging in crowd surfing despite the limited amount of space and wide array of pipes coming off the basement ceiling. Still, Punch blazed through incorporating their own brand of hardcore, mixed in with power violence influences that would bring shivers down your spine. I was struck by how crazy the place got, even drenching myself with sweat in the process. Punch even pulled a new song in the mix, released on their recent EP, that got a great reception of the crowd, myself included. They certainly made an impression and I instantly felt glad I finally caught their live act. Fantastic!
Though I managed to miss the opening bands, the show didn't bring any disappointment what so ever. Much thanks to Joe of Lifeline Records for making this all possible. Posted below is the link to Deathwish Records, in case you wanted to purchase the new EP from Punch. I'll probably post up a review from The Men show at Waterworks last week so keep an eye out for that, along with future LP reviews from Razorxfade, Night Birds, and much more. Looks like one fantastic year in the world of punk, Cheers!
Deathwish Records
As I said, I messed up with the start time, considering the last two shows I've been too at the Strangelight usually begin an hour later and I didn't really feel like waiting around for an hour so I headed down and arrived at 8. In doing so, I missed out on seeing Noose and Get Rad. I guess I'll have to wait it out for another Noose show, sadly but I managed to snag me a copy of their 7 inch so it sort of makes up for it. Get Rad also falls into that category, minus any merch snagging. Walking into the Strangelight felt almost similar to entering the first gates of hell; a massive wave of heat was felt throughout the venue, mixed in with an aroma of man sweat. Considering that Noose and Get Rad played, it didn't bring much surprise but damn, they sure left a mark that night.
With Noose and Get Rad out of the picture, the first band we witnessed was 10,000 leagues, a quartet of Los Angeles natives. The band was pretty chaotic, no joke. Playing in the realm of Power Violence, 10,000 Leagues shredded through their set with no problems or hassle. They culled through their recent release and discography, before playing what I considered to be a highlight (a Spitboy cover). 10,000 Leagues are definitely a band to keep an eye on if you're interested in Power violence. Even more so, I was impressed how the band even trekked on during their set, considering how ridiculously fast they were the entire time. We saw each member afterwards literally drenched in sweat, as they paced around outside. Jesus Christ.
Loma Prieta was up afterwards, which by this time my buddy and I were near the back of the venue. I hadn't heard much of this band, so my curiosity was at a high level once they came on. The San Francisco band features members of Punch, Sailboats, Beau Navire, among others that give a better picture of what they might sound like. The band still played a pretty tight set with a good portion of the audience digging their tunes.
Last but certainly not least, Punch came on right after Loma Prieta and got the crowd started early. This was first time playing in Chicago, although they tried to make a show here happen (the ceremony tour from last year in particular, but dropped due to injury sustained by the vocalist), None the less, from the few ten seconds just starting into their set list, we were pushed immediately toward the front, catching a good sight of their vocalist just screaming her guts out into the mic. There was hardly a moment of the audience stopping the madness, even engaging in crowd surfing despite the limited amount of space and wide array of pipes coming off the basement ceiling. Still, Punch blazed through incorporating their own brand of hardcore, mixed in with power violence influences that would bring shivers down your spine. I was struck by how crazy the place got, even drenching myself with sweat in the process. Punch even pulled a new song in the mix, released on their recent EP, that got a great reception of the crowd, myself included. They certainly made an impression and I instantly felt glad I finally caught their live act. Fantastic!
Though I managed to miss the opening bands, the show didn't bring any disappointment what so ever. Much thanks to Joe of Lifeline Records for making this all possible. Posted below is the link to Deathwish Records, in case you wanted to purchase the new EP from Punch. I'll probably post up a review from The Men show at Waterworks last week so keep an eye out for that, along with future LP reviews from Razorxfade, Night Birds, and much more. Looks like one fantastic year in the world of punk, Cheers!
Deathwish Records
Monday, August 1, 2011
Pukeoid- Rabid EP
It's been a long while since I posted something, mainly due to laziness and outside factors. I did manage to catch some cool shit and find newer bands along the way, so it wasn't much of a big deal for me to really complain. Any who, much of my anticipation was directed more to this release, being impressed with their demo just last year.
Pukeoid's new EP Rabid manages to live up to it's name and hype, relinquishing their own brand of Midwest hardcore. What sets Pukeoid apart from most bands generally in the Midwest is that they display that vibe found from listening to earlier hardcore bands (To my ears, the Fix is the first to come to mind) yet able to recreate a sound all their own. From hearing the first track "Intro/Puke", one can instantly tell it's going to be a rager, bringing the Fix to mind once more from the pacing drum beat, straight forward aggressive guitar chords, and the rabid barking vocals. "Sex Wound" is a standout in my eyes, which has the band playing at a moderate pace, yet still delivering blows to the listener from it's driven bass lines and intense build up accompanied by a hypnotic guitar intro. Even during the chorus, Pukeoid is able to create more intensity with a rabid guitar onslaught of chugs that goes hand in hand with chants of Sex wound. "When I'm alone" is another favorite, where the band blitz through in less than a minute, probably less than that. In my opinion, it brings back that sound found more commonly from Formaldehyde Junkies. Overall, the Rabid EP shows Pukeoid's potential that will only grow more till their next release. These fellas will surely refresh your memory on how hardcore should really sound.
Their new 7 inch is still up for grabs via Not Normal and through the band's blogspot, provided below as well as various distros scattered all over the internet. If still not convinced, head over to Harry's Rex for a link. It's one of my more favorable blogs still around, so kudos out to him. Do yourself some justice and buy the actual record if impressed. It would all be worth it.
Pukeoid Blogspot
Not Normal Webstore
Friday, May 13, 2011
The Ropes 7 Inch

The Ropes 7 inch
Self released
2011
1. Your End
2. Valium Cocoon
3. Collisious End
4. All Things will Come Undone
5. Heads will Roll
6. Low End Highs
It's been a long while since I posted something, due to school and other shit going on so I figured I'd make it worthwhile. Considering that last I've been able to head too was the Ropes show at Waterworks, it only made sense to only spread awareness about their now sold out release. I was lucky enough to obtain myself a copy at the show and not going to the ordeals of spending a shitload of cash just so I can hear it but so it goes.
Never heard of the Ropes? It's basically Chicago Hardcore legends the Repos but with newer material, picking up where they left off on their last original LP Hearts and Heads Explode. Raw, aggressive, menacing, blitzkrieg hardcore containing probably the best barking, rabid vocals found from vocalist Aaron Aspinwall. Short, fast and to the point, The Ropes bulldoze through each song on this release."Your End" opens up side A in the best way possible, building up slowly before engaging in attack mode. "Heads will Roll" will be punk staple in later years, just exemplifying their strengths, with a devastating guitar onslaught that's just grab you by the throat.
Considering it's sold out from both the group and Video Disease, I'd probably contact some of the distros available from the band's blogspot, provided below. In the mean time, Narrow Mind managed to upload the 7 inch for all to hear, rejoice, and/or complain. Credit goes to those fellas. I'm stoked on seeing these guys live again, along with School Jerks and Culo in two weeks. Till next time, Cheers!
May 30th, 2001
Treasure Town
2016 South Kedzie Chicago
7pm, $7
Omegas
School Jerks
The Ropes
Culo
Bald Pig
Risk
Narrow Mind
the Ropes
Tuesday, April 12, 2011
New Neighbors

4/16/2011
Raw Nerve in-store
Reckless Records
3126 N Broadway Ave Chicago, IL
1pm, Free.
Then, later on.

4/16/2011
Raw Nerve
Salvation
The Ropes
Hoax
Risk
7pm, All Ages
Water Works, $7
I'm almost sure that this show will likely be packed so I'd would probably get there as early as possible. Once they fill up, you'll be turned away.
Thursday, March 31, 2011
Leather- Sterile EP
Leather
Sterile EP
Jade Tree
2011
1. No Motivation
2. Zek
3. Relapse
4. Novitiate
Probably one of the more recent releases I've came across that startled, but excited me. I remember Leather fondly, seeing them at the Nazi Dust show in August. They're were one of two bands (the other being Culo) that made more of an impression that night, playing with a fury unmatched by the rest of the lineup that evening. I even purchased their Anchorite 7 inch and was floored once more, hearing in my opinion some of the best, jaw-dropping hardcore in recent memory. So, it surprised me that Leather was at it again with a new release, and from what I'm hearing, it's two damn good to miss out on.
I was surprised to see these guys release Sterile on Jade Tree, but it does make sense, considering how fantastic these guys are live, but also on record. Sterile, compared to Anchorite has a different sound production, emphasizing the Cro-Mags vibe more noticeable, not that it was hard before. Agran's vocal mirror John Joesph's, adding more a dark, howling approach. It's spine chilling almost, especially when hearing a track like "Zek"; the sheer aggression just being poured from all around. Agran's delivers at new heights, incorporating a bit of melody here and there, while retraining his hard, sinister approach on the mic. The rest of the band hasn't lost their touch either; playing more clean-cut organized hardcore than their contemporaries. "Relapse" is a perfect example; playing Straight to the bone hardcore, not having to go outside the realms of being unpredictable to make a bold statement. Then again, Leather still manages to bring the unexpected, avoiding the unnecessary bullshit acquired.
Pre-orders are being taken up now via Jade Tree, shipped around April 19th. The Anchorite 7 inch is also being released through the same webstore in limited quantities. Album comes with free download through the pre-order, so really no excuse to miss out.
Jade Tree
Leather
Monday, March 21, 2011
Truman & His Trophy- Bottom George Pizza Planet

Truman & His Trophy
Bottom George Pizza Planet
Cassette Deck Media
2011
1. Bottom George
2. Fruit Fight
3. The Virgin Harry
4. Jake Babe
5. Jake Hibernates
6. Eternal Nose
7. West
8. Everything is Weird
9. Slam Dunk
10. Spicy Water
11. Arm
12. Galaxy Quest
13. Journey To Pizza Planet
Not gonna lie, what grabbed my attention about this album was the cover shot, being both a lover of all things pizza and creativity. In fact, I started to get a sudden urge for pizza just after seeing this cover. None the less, after giving this album a spin, I started to appreciate the sheer catchy-ness of a majority of the songs found on here. Truman & His Trophy are pretty exciting and wonderful to hear, unraveling this sheer attitude of fun and pure energy track after track. It reminded me little bit of Bomb the Music Industry! upon the first list but after a couple more spins, I started to see the originality found on this album and put them in a list of their own.
"Jake Babe" is their more standout track, being that is the first single coming off this album but it makes sense why. Opening with an intro that would remind listeners of the minutemen (at least for me it did) from it's explosive guitar riff, the group just goes all out on this potential classic. The harmonies of the vocals during the chorus make it quite hard to whistle or sing along with the band. Another great track that just counterparts the single is "Jake Hibernates". It starts off a little more slower compared to the "Jake Babe" but that doesn't hurt the album or group, but rather showcases that the band is willing to mix up a variety of influences and changes with their sound.
From there, "Eternal Nose" comes into play and still works along that same vibe found on "Jake Hibernates", sounding a like a mixture between Pink Floyd and Wolfmother, that all the while continuously builds up before going into a massive attack of pop punk goodness. "West" is another favorite of mine, that sounds like a masterpiece to my ears. I'm instantly reminded to the post hardcore greats Fugazi, from the sudden change of the guitar riffs and vocals that unfolds from beginning to end. I'm also more fond of the how strong and powerful the drums and synthesizer are displayed on the track; the drummer going into this mesmerizing tribal beat, being complimented with the synthesizer manically going in and out.
Bottom George Pizza Planet shows this Chicago band at it's finest. I can't really recall a band that puts as much variety and influences into their sound, in regards of course to the current crop of bands appearing here and there. One thing is certain, I'm anticipating more materials from this band that will continue to knock me off my ass with more up-beat tracks. It's like the old saying goes, "Never Judge a book by it's cover". With that in mind, it would be right to say for fellow outsiders to instead of dismissing this band, try giving this a spin and you too will be raving about the fabulous sounds of Truman and His Trophy.
As of now, the album should be available for purchase on Cassette Deck Media. If you have to be in the Chicago area this weekend reading this post, I'd would advise you to head over to Pancho's to witness Truman and His Trophy in person, along with Pisces at the Animal Fair and Heart Shaped Hate. In honor of the release, the band is having a Pizza themed show on only the most suitable place in the world; Chicago. It's all ages and plus there's Pizza! Now, who doesn't love Pizza.
Cassette Deck Media
March 26th, 2011
Bottom George Pizza Planet Release Show:
Truman & His Trophy
Pisces at the Animal Fair
Heart Shaped Hate
7pm, All Ages
Pancho's
2200 N. California Avenue
Chicago, IL
Sunday, March 20, 2011
Culo- Toxic Vision EP

Culo
Toxic Vision
Derranged Records
2011
1. Brain Cavity
2. Wasted on Wine
3. Neighborhood Watch
4. Death Culture
5. Toxic Vision
I've been anticipating another release from these hardcore boys from Elgin, and boy did it not disappoint me at all. Never being the stranger to Hardcore, Culo are one of the few bands in today's scene that still manage to keep things fresh while sticking to their guns or having to alienate outsiders over ridiculous reasons (I'd go into it but now is not the time or place). Culo let it all lose (figuratively and literally) on this fine slab of in-your face, "I don't give any kind of a fuck" mantra of Midwest hardcore. Combining the infectious sounds of Discharge and the Ramones, adding a Jerry Kids' style vibe, Culo pick up where they left off with Military Trend EP. One of the finest tracks found on this 7 inch is obviously the self titled track, clocking in at a minute and a half. It displays Culo as their finest; a ravaging, wild, and more brutally intent on describing death in their own interpretation. "Wasted on Wine" is another personal favorite, showcasing their style of a short, blasting, and "Faster than thou" approach. If somehow this name hasn't appeared in your usual radar of hardcore, then I suggest you check this band out. I guarantee you'll be surgically attached to this record once it's over.
The link below to buy Toxic Vision (or Military Trend if you haven't heard it either) via Derranged Records. the blog Mind disease has the download link to the album, if that's really what's important to you. I'm also posting Cowabunga's record store, considering they were selling copies of their demo My Brain is turning upside down, which is another must have in their category. Copies are near out, so yea...
Derranged Records
Cowabunga Records
Culo Myspace
Thursday, March 10, 2011
School Jerks: Control EP

School Jerks
Control EP
Cowabunga Records
2011
1. Screamer
2. Control
3. Ready to Die
4. Ugly Minds, Ugly Faces
5. Moral Addiction
6. 4-F
One of the most blistering 7 inches released this year, no doubt about it. The School jerks are at it again with another rager that kicks it up a notch. Fans of their earlier material will appreciate this one. New to this band? To give a clearer image, it's reminiscent to the earlier works of Black Flag, notably the Nervous Breakdown era. With bits of Greg ginn-esqe riffs and brutal, snotty, nasally vocals, School Jerks give it all they got, blasting away for as long as 5 minutes; giving no fucks if you can't keep up and stay on track. A personal fave on here is "Ugly Minds, Ugly faces", a track that's easy to be lured by despite its brutally honest lyrics. I'm disappointed they didn't get to post lyrics for the rest of the songs, but still, I give them some props on the work.
Cowabunga Records still have copies for sale, if it does draw some interest for newer folk. Now would be a better chance to snag a copy, since their releases tend to go out fast., but maybe that's just my luck. School Jerks just recently finished a Californian tour with Elgin's mighty Culo. You can also preview tracks "Ugly Minds, Ugly Faces" and "Ready to Die" off their myspace. Maybe that'll persuade you. Till then, cheers!
Cowabunga Records Store
School Jerks Myspace
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