Probably one of the most creative, imaginative, and somewhat odd artist has truly passed away today. At 69, Captain Beefheart has now truly become a legend.
I remember getting sucked into his maniacal grooves off the Shiny Beast Bat Chain Puller album and just being mesmerized with "Tropical Hot Dog Night". Prior to that, my only sort of connection to his music was found in bands like the Butthole Surfers and the Minutemen, two bands I still worship to this day. They praised Beefheart to the point where I had to hear this band, being utterly amazed by his work. With that in mind, I leave behind the tracks that got me started with Mr. Beefheart, as a tribute. God speed sir....
Friday, December 17, 2010
Thursday, December 16, 2010
Tops of 2010:
I considered this year to be a good run for music, a good way to bring in another decade. I've heard newer grand stuff from unexpected places and ones that just knocked me on my ass and still leave in shock afterwards. I made a couple regrets that I'm still not getting over with, in terms of shows but I'm not too worried with it now, considering the word of mouth going around. Any-who, After trying to recall the rest of the year, I came up with a primo list of records I enjoyed that deserve some credit or two. Some records were already posted that I feel need to be recognized, while others I either got introduced too or haven't been able to write something on them. As for downloads, I'm sure they're scatter around the interwebs so why bother to steal links from those sites. If by any means you haven't heard any of these records, I suggest you start, otherwise you're missing out. If you have any recommendations for me to check out, bring them in. I could learn a thing or two on music.
Notables:
Ceremony- Rohnert Park LP: I still stand by with this band, regardless of record label association (I'm not too parched over B9) or by change in direction these guys took. I may have probably went a little overboard with this album but give these guys their much needed due. Yea, some songs sound exactly like an Adolescent's song but honestly, it's better than the majority found the label that are either too focused on masculinity or just boring.
Neon Blud- b-girls LP: This LP was my main anticipation for much of '10. Their demo tape, eventually released as a 7 inch this year, grabbed my ears and a craving for more was much needed. It's not a terrible record by all means, but I was expecting more songs on the LP, instead of 12 minute opuses. Though I'm in no need to criticize, this record still holds up in my book. Side B of this record I felt was great from beginning to end. The addition of a second guitarist made it sound more chaotic and nerve-wrecking, not relying too much on the Sonic Youth influence. From what I understand, the band is out of control at their shows. I sadly missed their show at the Ball hall with Bad Drug and Sea of Shit with work so I honestly have to wait it out till another tour. However, if you haven't heard this at all, tune in.
Merchandise- Strange songs in the Dark LP: Much like Neon Blud, I was expecting a little more from this new release, at least that would be similar to their self titled cassette. More experimental and surprisingly, more darker that what I had in mind. I still give these guys a pat on the back however and am anticipating a stop in Chicago if they do decide to tour. Maybe a couple more listens and I'll truly reconsider.
Top Ten's
1. Double Negative- Daydreamnation
Since my last review, this record has honestly wrecked my life, at least more good than bad. The perfect stable on how hardcore should sound; brutal, hard-hitting, and above all, dangerous. The overall sound on this record could have been a tad bit better, in regards to vocals but still a masterpiece in the making. Cool fact: Bassist Justin Gray had actually emailed me, giving his thanks for the positive review and hoped I was making out to their show at Treasuretown. Although I responded back, work got in the way of actually preventing me to actually talking with the man in person, not to mention seeing Double Negative at their finest but still a good moment. Hopefully, he reads this and write back, but till then, keep them coming fellas.
2. Slices- Cruising
Another favorite of mine this year, Slices proved they were a force to be reckoned with on their new LP. "Medusa" and "Nightmare Man" are two of my favorite tracks on this record, although the whole LP is fantastic. I would have loved to seen these guys live at the Albion House but aside from that, it sounds hellacious and devastating.
3. Be My Doppelganger- No Composure
I had a long talk with some of buddies about this band, seeing that we managed to catch these guys during their stops at The Windy City Sound Clash and a bar in Elgin called the Gasthaus. One of us stated that throughout this entire year, this LP in particular was played nonstop, along with their past album Rock N Roll Genius. Any who, this album will propel these guys to get a little more attention in their way, but it's understood. I enjoyed the poppy, catchy, stuck in head riffs, that just making you want to automatically move to the rhythms. "Backpack full of beers" still haunts my little dreams of a good summer night. Oh, how I miss summer.
4. Libyans- A Common Place
This was mere recent release, at least that I managed to snag myself a copy. Regardless, this piece of work is worth the buy. Nothing like a good hardcore record to get crazy too. Some favorite tracks are "Blood and Rust", "Paralyzed", "Breathing In", and "No Reason". In my opinion, these songs are far better than their sleeper hit "Welcome to the Neighborhood", by far. At the moment, these guys are on tour in Europe to support this release, but hopefully a tour in the US would be granted as well.
5. Total Abuse- Mutt
The mysterious hardcore still prevails in the likes of Total Abuse. Although I hate the term used to describe these type of bands, this record was pure heinous. I guarantee you that this band will eventually get compared to Poison Idea, if that hasn't been brought up. "Caligula" will probably rank as the best hardcore song in latter years, when people start to recognize the pure brutality of the underrated bands in today's scene. It seems like everything this band does is pure genius. I mean, I haven't came across a bad LP or EP from these fellas.
6. The Arrivals- Volatile Molotov
Probably one of the more mainstream bands, this LP definitely ranks at the top in terms of the more recognized figures in the likes of No Idea, Razorcake, Johann's face, etc. crowd. The Arrivals were already on my bands to keep an eye on list, after seeing this guys playing with Naked Raygun last year and devouring myself with The Marvels of Industry album. Volatile Molotov definitely captures the essence of the Midwest. In other words, this is the type of band that fits the definition of what a band should sound like.
7. Raw Nerve- Self titled LP
Everyone knows about the hype found with Youth Attack records, with merchandise from the label selling out with hours only to be found on Ebay with ridiculous prices (I remember seeing the Dan Rossiter zine of his artwork being sold at $75, despite costing $7 from Youth Attack). With this in mind, I passed by this, mainly of the fact that kids were already selling this on Ebay despite a week after being sold out. I opted to download it first, seeing what was to be expected. Eventually, my mind changed about this album, admiring the work found on "Crosses", the finest statement Raw Nerve has contributed in Hardcore. Raw Nerve is definitely aggressive, hard-hitting, and unsettling (I'm still kind of baffled with the poster of a guy getting his dick sucked by a dude but whatever, it's art). One reviewer who runs Dude Fest, described the band as being "Void for the Twenty-first century". It's sums up what you're gonna expect.
8. The Brokedowns- Species Bender
Much like No Composure, this album never did leave my car stereo and honestly, I can't blame it. Probably in the same boat for The Brokedowns, their music is pretty underrated, only described as "a third rate Dillinger Four band". There is a lot more to that found on this CD, that will change the minds of nonbelievers everywhere. Till then, It's not leaving my car till their next CD.
9. Masshysteri- Self titled
This is the only record on here that has members found in another country, sweden to be exact. Is that a bad thing? No, but more surprising for me for reasons unspecified. That said, that was the only thing that hurt this record for me but I still found to be quite enjoyable. Prior to this, I had recently found out this band is going to take a break, probably indefinite. Hopefully, the group cheers up and starts releasing more albums in the near future.
10. Drunkdriver- Self titled
It's on here for basically being the last record these guys will ever release under the name of Drunkdriver. It's honestly pretty sad what the outcome was, considering that it shouldn't have been made as a big deal for what it already was. Regardless, after several teases from record labels unsure of releasing this, Drunkdriver decided to release it by themselves, Thankfully.
Couple 7 Inches that kicked ass:
Culo- Military Trend
Leather- Self titled
Manipulation- self titled
Rival Mob- Hardcore for Hardcore
House Boat- Processing Complaints
Demos:
Pukeoid
Razorfade
Body Cop
Notables:
Ceremony- Rohnert Park LP: I still stand by with this band, regardless of record label association (I'm not too parched over B9) or by change in direction these guys took. I may have probably went a little overboard with this album but give these guys their much needed due. Yea, some songs sound exactly like an Adolescent's song but honestly, it's better than the majority found the label that are either too focused on masculinity or just boring.
Neon Blud- b-girls LP: This LP was my main anticipation for much of '10. Their demo tape, eventually released as a 7 inch this year, grabbed my ears and a craving for more was much needed. It's not a terrible record by all means, but I was expecting more songs on the LP, instead of 12 minute opuses. Though I'm in no need to criticize, this record still holds up in my book. Side B of this record I felt was great from beginning to end. The addition of a second guitarist made it sound more chaotic and nerve-wrecking, not relying too much on the Sonic Youth influence. From what I understand, the band is out of control at their shows. I sadly missed their show at the Ball hall with Bad Drug and Sea of Shit with work so I honestly have to wait it out till another tour. However, if you haven't heard this at all, tune in.
Merchandise- Strange songs in the Dark LP: Much like Neon Blud, I was expecting a little more from this new release, at least that would be similar to their self titled cassette. More experimental and surprisingly, more darker that what I had in mind. I still give these guys a pat on the back however and am anticipating a stop in Chicago if they do decide to tour. Maybe a couple more listens and I'll truly reconsider.
Top Ten's
1. Double Negative- Daydreamnation
Since my last review, this record has honestly wrecked my life, at least more good than bad. The perfect stable on how hardcore should sound; brutal, hard-hitting, and above all, dangerous. The overall sound on this record could have been a tad bit better, in regards to vocals but still a masterpiece in the making. Cool fact: Bassist Justin Gray had actually emailed me, giving his thanks for the positive review and hoped I was making out to their show at Treasuretown. Although I responded back, work got in the way of actually preventing me to actually talking with the man in person, not to mention seeing Double Negative at their finest but still a good moment. Hopefully, he reads this and write back, but till then, keep them coming fellas.
2. Slices- Cruising
Another favorite of mine this year, Slices proved they were a force to be reckoned with on their new LP. "Medusa" and "Nightmare Man" are two of my favorite tracks on this record, although the whole LP is fantastic. I would have loved to seen these guys live at the Albion House but aside from that, it sounds hellacious and devastating.
3. Be My Doppelganger- No Composure
I had a long talk with some of buddies about this band, seeing that we managed to catch these guys during their stops at The Windy City Sound Clash and a bar in Elgin called the Gasthaus. One of us stated that throughout this entire year, this LP in particular was played nonstop, along with their past album Rock N Roll Genius. Any who, this album will propel these guys to get a little more attention in their way, but it's understood. I enjoyed the poppy, catchy, stuck in head riffs, that just making you want to automatically move to the rhythms. "Backpack full of beers" still haunts my little dreams of a good summer night. Oh, how I miss summer.
4. Libyans- A Common Place
This was mere recent release, at least that I managed to snag myself a copy. Regardless, this piece of work is worth the buy. Nothing like a good hardcore record to get crazy too. Some favorite tracks are "Blood and Rust", "Paralyzed", "Breathing In", and "No Reason". In my opinion, these songs are far better than their sleeper hit "Welcome to the Neighborhood", by far. At the moment, these guys are on tour in Europe to support this release, but hopefully a tour in the US would be granted as well.
5. Total Abuse- Mutt
The mysterious hardcore still prevails in the likes of Total Abuse. Although I hate the term used to describe these type of bands, this record was pure heinous. I guarantee you that this band will eventually get compared to Poison Idea, if that hasn't been brought up. "Caligula" will probably rank as the best hardcore song in latter years, when people start to recognize the pure brutality of the underrated bands in today's scene. It seems like everything this band does is pure genius. I mean, I haven't came across a bad LP or EP from these fellas.
6. The Arrivals- Volatile Molotov
Probably one of the more mainstream bands, this LP definitely ranks at the top in terms of the more recognized figures in the likes of No Idea, Razorcake, Johann's face, etc. crowd. The Arrivals were already on my bands to keep an eye on list, after seeing this guys playing with Naked Raygun last year and devouring myself with The Marvels of Industry album. Volatile Molotov definitely captures the essence of the Midwest. In other words, this is the type of band that fits the definition of what a band should sound like.
7. Raw Nerve- Self titled LP
Everyone knows about the hype found with Youth Attack records, with merchandise from the label selling out with hours only to be found on Ebay with ridiculous prices (I remember seeing the Dan Rossiter zine of his artwork being sold at $75, despite costing $7 from Youth Attack). With this in mind, I passed by this, mainly of the fact that kids were already selling this on Ebay despite a week after being sold out. I opted to download it first, seeing what was to be expected. Eventually, my mind changed about this album, admiring the work found on "Crosses", the finest statement Raw Nerve has contributed in Hardcore. Raw Nerve is definitely aggressive, hard-hitting, and unsettling (I'm still kind of baffled with the poster of a guy getting his dick sucked by a dude but whatever, it's art). One reviewer who runs Dude Fest, described the band as being "Void for the Twenty-first century". It's sums up what you're gonna expect.
8. The Brokedowns- Species Bender
Much like No Composure, this album never did leave my car stereo and honestly, I can't blame it. Probably in the same boat for The Brokedowns, their music is pretty underrated, only described as "a third rate Dillinger Four band". There is a lot more to that found on this CD, that will change the minds of nonbelievers everywhere. Till then, It's not leaving my car till their next CD.
9. Masshysteri- Self titled
This is the only record on here that has members found in another country, sweden to be exact. Is that a bad thing? No, but more surprising for me for reasons unspecified. That said, that was the only thing that hurt this record for me but I still found to be quite enjoyable. Prior to this, I had recently found out this band is going to take a break, probably indefinite. Hopefully, the group cheers up and starts releasing more albums in the near future.
10. Drunkdriver- Self titled
It's on here for basically being the last record these guys will ever release under the name of Drunkdriver. It's honestly pretty sad what the outcome was, considering that it shouldn't have been made as a big deal for what it already was. Regardless, after several teases from record labels unsure of releasing this, Drunkdriver decided to release it by themselves, Thankfully.
Couple 7 Inches that kicked ass:
Culo- Military Trend
Leather- Self titled
Manipulation- self titled
Rival Mob- Hardcore for Hardcore
House Boat- Processing Complaints
Demos:
Pukeoid
Razorfade
Body Cop
Sunday, November 28, 2010
Bodycop- S/t Demo Cassette
Bodycop s/t demo
Fan Death Records 2010
1. Sisyphus
2. Loaves
3. Stay Alive
4. Don't Move
5. Pay Up
The first time I had ever encountered this group was actually from a post made on Maximum Rock N Roll, submitting a live clip of the band performing "Don't Move" at a DC show. Aside from the shitty video quality, Bodycop performed flawlessly, almost artistically if you will. Of course, I had no luck finding anything from the band what so ever online; No Myspace, No Facebook, No Blogspot, but this video and of course, another video interviewing the band (Now course, there's a little more videos going about). Most would have found it odd, considering the hype already given to the band, despite these somewhat crucial necessities that would add more advertisement to the band. Regardless, Once I heard a tape was to be released, I immediately purchased once; a bit excited to hear what the band would bring to the table, aside from the video.
For those unaware of exactly who Bodycop is, it's pure and simple. Hailing from DC, Bodycop provide a different take in terms of underground. Instead of partake in the sounds of original hardcore, Bodycop rather takes another approach to their sound. Heavily influenced by the earlier works of Swans, the band delivers a no-holds-barred attack; a distorted but demolishing bass lines accompanied by drone guitar sound that meshes perfectly with the tribal-like display demonstrated by their drummer and buzzing sounds found throughout the tape. Honestly, it fits perfectly to the Michael Gira sound, down to the core no doubt.
One of the tracks that seem to standout the most to me is "Don't Move", from the first second to last did that track seem to capture my mind. I can name a never-ending list of songs that grabbed me attention, just mainly from intro and this track is definitely added to the list. That drum beat displayed throughout the entire three and a half minutes were mind blowing, building up and up before it hit the chorus. Aside from the drums, the guitars were another factor; incorporating an industrial feel that echos a vivid scene of gears in place moving. I was even more astounded the screams coming out of Kiki, the band's vocalist. It gave the me chills just hearing her high pitch yells, reciting the lines "but oh you could risk this necessary force, but oh this force is necessary". This track was still stuck in my head even after hearing it, repeating over and over again. Fantastic.
"Payup" is another favorite of mine, the longest track on the tape with nine and a half minutes. At first, the track starts out slow before building up just a tad bit, with Kiki bellowing out ferocious yells and the band still laying down their groundwork of noise, buzzing, and feedback that still manages to draw you in. Personally, I feel this would fit nicely to a hallucination, mainly as I find to be very chaotic but somehow satisfying.
Their tape is out now via Fan Death Records, and I still think they have some left over, considering this was just released last month. For fans of Industrial music, such as Swans and Godflesh to name a few, this is highly recommended. For those interested to the appeal of this band, take a gander and hear this tape. For curious to this band from the amount of hype, just tune in and listen for yourself. I was meaning to upload and convert these tracks but another blog beat me to it (Well Fed Noise to be more specific). How laziness has it's toll on me so I provided the link from said blog and posted it on here. Hopefully, this will give the band some attention. Again, credit goes to Well Fed Noise.
DOWNLOAD
If by any chance the band catches wind of this and wants the link to be removed, just send me an email and I'll gladly remove it.
Fan Death Records
I'm also posting up the interview I was talking about from the band, courtesy of Denman Anderson. Gives a more inside look at the band. Enjoy.
Bodycop Interview
Monday, October 18, 2010
The Brokedowns- Species Bender
It was about a couple weeks ago when I headed up into the city for Riot Fest, mainly to witness Propagandhi and the Circle Jerks with my own two eyes. I had a lot planned for that weekend so by the time these two shows finally came around, I was prepared and just stoked to see both these bands and a couple others to have myself a grand ole time. Once the weekend was over, there were only two bands on my mind and one of them happens to be The Brokedowns, not only due to the fact of this review but seeing them live was honestly a blast; these guys definitely know how to crack some good jokes all while giving the audience what they want.
The Brokedowns, from Elgin, IL, have been cranking out some catchy, memorable tunes for about a couple years now, never losing steam on every album. Now with their third album as their debut on Red Scare Records, The Brokedowns have exemplified they're the next big band to not only keep an eye out for but possibly the next big thing in punk for the decade to come. Hell, it took me one complete listening to the whole album to get my attention.
The album starts off with "Wizard Symptoms", a track that's only less than two minutes and yet grabs you right in, with their crunchy, riveting guitar chords that seem to mirror Dillinger Four, but with more attitude provided, brought to you with lyrics reflecting magic and of course wizards. Odd? yes but damn it, do they make it sound so damn good. "I am a Ritual" follows next, displaying some ferocious chanting throughout, incorporated with a downright funky bass line and straight to the face attack from the rest of the band.
One of my handful of favorites off this album is "Noble Rot", due to the sample provided in the beginning of the track but mainly for the lyrics that are so fun to sing out loud, or if you're in my case, in the privacy of your own home/car/etc. The track showcases a great performance of the band, in regards to rhythm, from the drum beats that sounds almost tribal but still emphasizing a punk feel. Another favorite of mine is "This Cult is a bummer", in my opinion one of the stronger tracks off Species Bender. From the intro to the end of the song, The Brokedowns seem to have no difficulty getting attention from the listener, as the group includes a more melodic side to the album, provided by some strong background vocals and an interesting set of lyrics that set focus on past trends and just how dull they can be. Probably not a in-depth meaning about the song from yours truly but it still brings out The Brokedowns at their finest.
"Skvll Skewl" is another strong track in regards to rhythm that just meshes in nicely with the rest of the album. It has all the necessities for a Brokedowns song; catchy lyrics, furious but easy to sing-a-long too chants, crunchy-cut up guitar chords, and a simplistic bass riff that leave you on your heels and in the mood for starting some action. This track is what really sealed the deal for this band, since it has all the appeal that make for a great, stand out punk song that people will recount in latter years. That may take some time but for now, it sounds fresh and that's what counts.
In regards to the night I saw these guys live, I was pretty blown away at how they performed. The Brokedowns were funny, straight to the point, and played a good set that managed to impress the whole crowd attendance that night who would have otherwise dismissed the band for the headliner, Propagandhi to be more specific. Not only that, but the band even had a guy dress up as a wizard, informing the audience what song was going to be played with the band providing some hilarious one liners that never missed the audience what so ever. Quite impressive, if you asked me or anyone else who witnessed that show at Riot Fest.
If these guys ever manage to make across your town, I advise to make it out to said show and see it for yourself if still doubting my review. Same goes if not convinced on this album, but let's face it, when am I ever wrong in regards to good music?
The Brokedowns
Red Scare Industries
Friday, October 15, 2010
Oct. 14 The House Cafe- The Black Dahlia Murder/Goatwhore
I'll admit, I've lost my touch with the metal scene for the past two years now. Not anything personal to say that I dislike Metal, but I haven't able to get my taste-buds into any of the new bands coming out of the woodwork, at least that wouldn't conflict with my usual habit of metal bands, Motorhead, Deicide, and Kylesa. However, if there was one band that still grabbed my attention, it's Black Dahlia and last night is one pure example.
I remember just last year when a couple buddies of mine paid a visit up to The House Cafe in Dekalb, being fucking mind blown by Dahlia that night, recounting their tales of debauchery (i.e getting stoned with the members of Skeletonwitch) all the while head banging to the riffage of Dahlia. Due to being held up at work, I was bummed I missed out on a good ass show, and as time progressed to the now, I decided to have a first hand witness to their set, along with Goatwhore. A friend that went to said show last year and numerous others before chose to venture out as well, so that was that. The ride up there wasn't bad so to speak, despite our car breaking down on us but none the less, we managed to find a way to step a foot at the house cafe. To be in that situation, it was sheer luck.
Aside from our fouls, we managed to catch the first opening band by the name of Sleep Serapis Sleep. I wouldn't say they were the best band that evening but they weren't the worst. Not as much of a stage presence and their music wasn't mediocre or anything but it didn't really see anything about having potential, probably due to their short set. Some kids were feeling it while a huge majority of the crowd during their set continued to have their conversations or just stood there waiting for Dahlia. We passed their merch table prior to seeing their set and were somewhat impressed with their stuff. Once their set was over, we had ourselves a cigarette when one of the members of Sleep Serapis Sleep tried to obtain a sale from yours truly, but utterly failed. Not even worth mentioning if you think about it.
The next band up was Arkaik, a recently signed band from California. I was into their set for a good portion of it, overall. Kids were getting a little more into the show, starting a pit and pumping their fists in the air so that was good. Arkaik didn't miss a beat and still kept on trekking into their set. Quite impressive for a band on the rise, so I wish them luck on the rest of the tour with Dahlia and Goatwhore. Who knows, maybe they might grab the world by storm one of these days.
To write up how this next band played is pretty impossible, due to the fact it was one of the better sets I've seen at a metal show, period. Goatwhore were phenomenal, a must see band for those who haven't heard anything previous. They raged into their set like no other; incorporating blast beats, maniacal guitar chords, and a voice that seemed to mirror a cry from the four horsemen on the eve of an apocalypse. Biblical references aside, the crowd ate it up, going complete apeshit during their set. A pit started to unfurl and fists were going up in the air like no other, adding fuel to the fire for Goatwhore as they progressed. The chants of Goatwhore took place, with some even adding to keep on playing, but of course, it didn't occur. I admire the humor of these guys, mainly the singer and guitarist for Goatwhore. A man in a Banana costume was present at this show and the guitarist went into the mic and said "who is that guy in the costume. I swear, I've seen this guy at almost every show. Did someone lace my beer with acid, man?" It was non-stop fun with these guys. It made the trip worthwhile. If you haven't heard this guys, do it now.
Of course, how would the night go without seeing The Black Dahlia Murder? Odds are you would have had a bad night, in the since of a bad hangover to remind you of missing Dahlia. These guys were the show from the get go and once they started, the chaos started and from there on, it was no turning back, but who would want that anyway? I hadn't seen a crowd go hectic like that since July when I saw Failures and that was pretty fucking chaotic. Kids were going all over the place, to the front, back, sides, and even over the crowd as a couple kids went stage diving and getting kicked out in the process. One even fell straight to the tiles after diving, with a loud thump being overheard from where I was standing. Another kid kicked one of the lights, with the crowd providing a "Ohh!" in the background. From their earlier cuts like Nocturnal to their newer album Deflorate, Dahlia was on the move and made it quite clear. It was hard not to get into them at all, playing practically every song worth hearing live, from "Necropolis" to "a Vulgar Picture". I felt like a little kid at Disney world, still astonished at Dahlia, like it a vivid nightmare gone terribly right, without sounding oxymoronic or wordy.
If the tour manages to make a stop in your town, I advise you to head up and check it out. If you haven't managed to snag a copy of their new album Deflorate, do so as well. I've heard nothing but great reviews of it.
The Black Dahlia Murder Store
Goatwhore
I remember just last year when a couple buddies of mine paid a visit up to The House Cafe in Dekalb, being fucking mind blown by Dahlia that night, recounting their tales of debauchery (i.e getting stoned with the members of Skeletonwitch) all the while head banging to the riffage of Dahlia. Due to being held up at work, I was bummed I missed out on a good ass show, and as time progressed to the now, I decided to have a first hand witness to their set, along with Goatwhore. A friend that went to said show last year and numerous others before chose to venture out as well, so that was that. The ride up there wasn't bad so to speak, despite our car breaking down on us but none the less, we managed to find a way to step a foot at the house cafe. To be in that situation, it was sheer luck.
Aside from our fouls, we managed to catch the first opening band by the name of Sleep Serapis Sleep. I wouldn't say they were the best band that evening but they weren't the worst. Not as much of a stage presence and their music wasn't mediocre or anything but it didn't really see anything about having potential, probably due to their short set. Some kids were feeling it while a huge majority of the crowd during their set continued to have their conversations or just stood there waiting for Dahlia. We passed their merch table prior to seeing their set and were somewhat impressed with their stuff. Once their set was over, we had ourselves a cigarette when one of the members of Sleep Serapis Sleep tried to obtain a sale from yours truly, but utterly failed. Not even worth mentioning if you think about it.
The next band up was Arkaik, a recently signed band from California. I was into their set for a good portion of it, overall. Kids were getting a little more into the show, starting a pit and pumping their fists in the air so that was good. Arkaik didn't miss a beat and still kept on trekking into their set. Quite impressive for a band on the rise, so I wish them luck on the rest of the tour with Dahlia and Goatwhore. Who knows, maybe they might grab the world by storm one of these days.
To write up how this next band played is pretty impossible, due to the fact it was one of the better sets I've seen at a metal show, period. Goatwhore were phenomenal, a must see band for those who haven't heard anything previous. They raged into their set like no other; incorporating blast beats, maniacal guitar chords, and a voice that seemed to mirror a cry from the four horsemen on the eve of an apocalypse. Biblical references aside, the crowd ate it up, going complete apeshit during their set. A pit started to unfurl and fists were going up in the air like no other, adding fuel to the fire for Goatwhore as they progressed. The chants of Goatwhore took place, with some even adding to keep on playing, but of course, it didn't occur. I admire the humor of these guys, mainly the singer and guitarist for Goatwhore. A man in a Banana costume was present at this show and the guitarist went into the mic and said "who is that guy in the costume. I swear, I've seen this guy at almost every show. Did someone lace my beer with acid, man?" It was non-stop fun with these guys. It made the trip worthwhile. If you haven't heard this guys, do it now.
Of course, how would the night go without seeing The Black Dahlia Murder? Odds are you would have had a bad night, in the since of a bad hangover to remind you of missing Dahlia. These guys were the show from the get go and once they started, the chaos started and from there on, it was no turning back, but who would want that anyway? I hadn't seen a crowd go hectic like that since July when I saw Failures and that was pretty fucking chaotic. Kids were going all over the place, to the front, back, sides, and even over the crowd as a couple kids went stage diving and getting kicked out in the process. One even fell straight to the tiles after diving, with a loud thump being overheard from where I was standing. Another kid kicked one of the lights, with the crowd providing a "Ohh!" in the background. From their earlier cuts like Nocturnal to their newer album Deflorate, Dahlia was on the move and made it quite clear. It was hard not to get into them at all, playing practically every song worth hearing live, from "Necropolis" to "a Vulgar Picture". I felt like a little kid at Disney world, still astonished at Dahlia, like it a vivid nightmare gone terribly right, without sounding oxymoronic or wordy.
If the tour manages to make a stop in your town, I advise you to head up and check it out. If you haven't managed to snag a copy of their new album Deflorate, do so as well. I've heard nothing but great reviews of it.
The Black Dahlia Murder Store
Goatwhore
Monday, October 4, 2010
Demonstration- Korova Demo
Korova- Demonstration Demo
1. Women of Sophistication
2. Magnets
3. Shareholders Meeting
4. Prophet with One Eye
There is nothing sweeter than a good ole dose of straight hardcore punk that manages to get you moving,especially one that is willing to combine a variety of different influences that some would not see coming in their direction. Korova seem to have this going on with their new demo, bringing a little bit of the old school hardcore feel, while creating a vibe of their own.
This Alabama band has been gaining buzz all around the world since their full length, Another Happy Customer, was released, getting compared to the likes of Black Flag, Poison Idea, and Ceremony to name a few. With the full length, a 7 Inch, and a couple demos under their belt, Korova have decided to release another demo in hopes of expanding their music and showcasing what this band is capable of, even if a couple kids are in shock and awe with their approach on hardcore punk.
Being new to this band, I didn't honestly know what really to expect but once I pressed the play button to their demo, I was hooked instantly from the minute the feedback had started. From there on, Korova blasted through like it was nobody's business. With these four new songs, Korova put a variety of different takes, incorporating a sludgish, heavier, style similar to Black Flag's My War, mixed in with feedback and vocals reminiscing Jerry from Poison Idea, all launched at top speed. From the first track off side A to the last, Korova doesn't lose its touch for the listener. I was pretty impressed with some of breakdowns that band had in it's second track "Magnets", having this dangerous deadlier vibe with their playing. To make things on the edge and interesting, the band also provided various layered samples through side A, sort of picturing an image of what a radio station would look like if Korova took over; Dismantled, Noisy, and in complete disarray, provided by commentary from a DJ who didn't know what to expect, anxiously awaiting for a response of help. The lyrics from some of the songs mainly deal with the "punk practices", referring it to a consume and digest kind of mantra exemplified on "Magnets" and "Shareholder's Meeting". Although a big majority of bands now a days often make political statements in their lyrics, none seem to manage capture the essential of real anger than Korova, something desperately needed in the current state of hardcore.
Side B is mainly a treat for the listener, showing how Korova would sound like when witnessed up close in person. Korova had recorded a live show during a tour with Vile Intent and Rational Animals, at Magic City Wholesale. Their set list consisted of songs from their catalog, along with an Infest Cover as a special incentive. I think it to understand how the band is live, heading down to any gig of theirs is in order. From what I heard though, it sounds like good ass hardcore show to partake in; lots of action from both the band and the crowd, no impersonations, just pure hardcore.
Demos are up for order at the band's bandcamp account for only $3.75 for the demo itself, a T-shirt package along with the demo for $12.50, and a digital download of the demo for any asking price, no joke. The demos are limited to 100 copies for the time being, but have provided a stream of the demo on their bandcamp site. The demo is worth the buy and considering the asking price for a digital download, It's not a bad deal at all.
One major aspect I found interesting about this band is the fact that Korova are quite supportive of music blogs, found inside and out on the internet, stating they haven't lost any sales what so ever in an interview with noisecreep a while back in July. Vocalist Ian Wise commented on the theory of music blog being the cause of decline sales of music, providing some interesting points for naysayers. I decided to put in that link as well, in case people are curious to hear his standpoint. Overall, the demo is superb in my book and I anxiously await for future releases from Korova. If still unimpressed by any reason, you might as well plug in nothing and hit record.
BUY
"We haven't lost one Sale to anyone from Music Blogs"
Wednesday, September 1, 2010
Daydreamnation- Double Negative
Double Negative
Daydreamnation
Sorry State Records
2010
It's been a long wait for this LP, considering the numerous delays, unforeseen mishaps, and a genre anxiously anticipating a much needed kick in the ass that would help bring back a more dangerous and exciting feel back to a scene on the verge of dying, at least in a couple people's perspectives. I admit, it's wrong to say that this scene is nearly dying, but I mean it in a way that would boost the morale of the kids these days. This band has clearly met these expectations and I must say, it's quite glorious.
Double Negative are one of a certain number of groups that have gone into the experimental route with their music, incorporating something new each time in their work. Whether it's adding more feedback, involving a sludge sound, or playing ridiculously fast, DN seem to never lose their edge, melting the faces of anyone who happens to be in their way.
Daydreamnation is one never ending ride from start to finish. In comparison to The Wonderful and Frightening World, the band has surpassed expectations and lived up to the well deserved hype surrounding this record. Compared to the whole production of their previous LP, Daydreamnation has more of a sludgy feel, yet manages to still instill an impression. "Beg To a Vile Nude" is more clearer example, with the band showcasing a more slower, pacing intro, more or less reflecting a Jesus Lizard vibe, before going into a faster tempo. It's one of those tracks that happens to get you off guard before you realize how truly great it sounds.
However, branching off to new territory doesn't mean the band has lost their roots. "Endless Disappointment" seems like this track should have been included in their previous LP. None the less, the track is fantastic and sounds rather devious along with the rest of the album. Guitar riffs that would mirror a Sonic Youth influence, strong usage of vocals, and just a great tempo that makes for a legendary track.
"Hospitality" has once of the best bass intros that I've heard in awhile, that would fit nicely on a sludge metal album. The track showcases a rather better description of what hardcore should sound like, but that goes in a different topic that would seem to never end. Anywho, Double Negative haven't missed a second and still kids are shocked as to how fucking good this LP sounds.
If this album were to cement Double Negative into legendary status, I wouldn't be surprised, considering the wait was well worth it. If this album was somehow deemed the best hardcore record of twenty-ten, I wouldn't be surprised either. Hell, if a more mainstream outlet managed to get a hold of a copy, I still wouldn't be surprised. This was the mere kick in the ass the current music scene needed, one that would be remembered for quite some time. I remember hearing the band didn't want any download links what so ever, which is fine by me. The whole package itself is worth paying for, but that's just a mere opinion. If you happen at this point not have yourself a copy of this record, I advise you go out and get one. you'll understand once you witness the sheer power of this record.
Sorry State Records
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