Shock Troops

Jan. 3rd
The Juicer
7pm-10pm
$5

Culo
Suffix
Self Conscious
Corpus Luteum
Buff Shit


Get at it fellas!

Captain Beefheart: 1941-2010

Probably one of the most creative, imaginative, and somewhat odd artist has truly passed away today. At 69, Captain Beefheart has now truly become a legend.

I remember getting sucked into his maniacal grooves off the Shiny Beast Bat Chain Puller album and just being mesmerized with "Tropical Hot Dog Night". Prior to that, my only sort of connection to his music was found in bands like the Butthole Surfers and the Minutemen, two bands I still worship to this day. They praised Beefheart to the point where I had to hear this band, being utterly amazed by his work. With that in mind, I leave behind the tracks that got me started with Mr. Beefheart, as a tribute. God speed sir....

Tops of 2010:

I considered this year to be a good run for music, a good way to bring in another decade. I've heard newer grand stuff from unexpected places and ones that just knocked me on my ass and still leave in shock afterwards. I made a couple regrets that I'm still not getting over with, in terms of shows but I'm not too worried with it now, considering the word of mouth going around. Any-who, After trying to recall the rest of the year, I came up with a primo list of records I enjoyed that deserve some credit or two. Some records were already posted that I feel need to be recognized, while others I either got introduced too or haven't been able to write something on them. As for downloads, I'm sure they're scatter around the interwebs so why bother to steal links from those sites. If by any means you haven't heard any of these records, I suggest you start, otherwise you're missing out. If you have any recommendations for me to check out, bring them in. I could learn a thing or two on music.

Notables:
Ceremony- Rohnert Park LP: I still stand by with this band, regardless of record label association (I'm not too parched over B9) or by change in direction these guys took. I may have probably went a little overboard with this album but give these guys their much needed due. Yea, some songs sound exactly like an Adolescent's song but honestly, it's better than the majority found the label that are either too focused on masculinity or just boring.

Neon Blud- b-girls LP: This LP was my main anticipation for much of '10. Their demo tape, eventually released as a 7 inch this year, grabbed my ears and a craving for more was much needed. It's not a terrible record by all means, but I was expecting more songs on the LP, instead of 12 minute opuses. Though I'm in no need to criticize, this record still holds up in my book. Side B of this record I felt was great from beginning to end. The addition of a second guitarist made it sound more chaotic and nerve-wrecking, not relying too much on the Sonic Youth influence. From what I understand, the band is out of control at their shows. I sadly missed their show at the Ball hall with Bad Drug and Sea of Shit with work so I honestly have to wait it out till another tour. However, if you haven't heard this at all, tune in.

Merchandise- Strange songs in the Dark LP: Much like Neon Blud, I was expecting a little more from this new release, at least that would be similar to their self titled cassette. More experimental and surprisingly, more darker that what I had in mind. I still give these guys a pat on the back however and am anticipating a stop in Chicago if they do decide to tour. Maybe a couple more listens and I'll truly reconsider.

Top Ten's




1. Double Negative- Daydreamnation
Since my last review, this record has honestly wrecked my life, at least more good than bad. The perfect stable on how hardcore should sound; brutal, hard-hitting, and above all, dangerous. The overall sound on this record could have been a tad bit better, in regards to vocals but still a masterpiece in the making. Cool fact: Bassist Justin Gray had actually emailed me, giving his thanks for the positive review and hoped I was making out to their show at Treasuretown. Although I responded back, work got in the way of actually preventing me to actually talking with the man in person, not to mention seeing Double Negative at their finest but still a good moment. Hopefully, he reads this and write back, but till then, keep them coming fellas.





2. Slices- Cruising
Another favorite of mine this year, Slices proved they were a force to be reckoned with on their new LP. "Medusa" and "Nightmare Man" are two of my favorite tracks on this record, although the whole LP is fantastic. I would have loved to seen these guys live at the Albion House but aside from that, it sounds hellacious and devastating.





3. Be My Doppelganger- No Composure
I had a long talk with some of buddies about this band, seeing that we managed to catch these guys during their stops at The Windy City Sound Clash and a bar in Elgin called the Gasthaus. One of us stated that throughout this entire year, this LP in particular was played nonstop, along with their past album Rock N Roll Genius. Any who, this album will propel these guys to get a little more attention in their way, but it's understood. I enjoyed the poppy, catchy, stuck in head riffs, that just making you want to automatically move to the rhythms. "Backpack full of beers" still haunts my little dreams of a good summer night. Oh, how I miss summer.




4. Libyans- A Common Place
This was mere recent release, at least that I managed to snag myself a copy. Regardless, this piece of work is worth the buy. Nothing like a good hardcore record to get crazy too. Some favorite tracks are "Blood and Rust", "Paralyzed", "Breathing In", and "No Reason". In my opinion, these songs are far better than their sleeper hit "Welcome to the Neighborhood", by far. At the moment, these guys are on tour in Europe to support this release, but hopefully a tour in the US would be granted as well.




5. Total Abuse- Mutt
The mysterious hardcore still prevails in the likes of Total Abuse. Although I hate the term used to describe these type of bands, this record was pure heinous. I guarantee you that this band will eventually get compared to Poison Idea, if that hasn't been brought up. "Caligula" will probably rank as the best hardcore song in latter years, when people start to recognize the pure brutality of the underrated bands in today's scene. It seems like everything this band does is pure genius. I mean, I haven't came across a bad LP or EP from these fellas.




6. The Arrivals- Volatile Molotov
Probably one of the more mainstream bands, this LP definitely ranks at the top in terms of the more recognized figures in the likes of No Idea, Razorcake, Johann's face, etc. crowd. The Arrivals were already on my bands to keep an eye on list, after seeing this guys playing with Naked Raygun last year and devouring myself with The Marvels of Industry album. Volatile Molotov definitely captures the essence of the Midwest. In other words, this is the type of band that fits the definition of what a band should sound like.




7. Raw Nerve- Self titled LP
Everyone knows about the hype found with Youth Attack records, with merchandise from the label selling out with hours only to be found on Ebay with ridiculous prices (I remember seeing the Dan Rossiter zine of his artwork being sold at $75, despite costing $7 from Youth Attack). With this in mind, I passed by this, mainly of the fact that kids were already selling this on Ebay despite a week after being sold out. I opted to download it first, seeing what was to be expected. Eventually, my mind changed about this album, admiring the work found on "Crosses", the finest statement Raw Nerve has contributed in Hardcore. Raw Nerve is definitely aggressive, hard-hitting, and unsettling (I'm still kind of baffled with the poster of a guy getting his dick sucked by a dude but whatever, it's art). One reviewer who runs Dude Fest, described the band as being "Void for the Twenty-first century". It's sums up what you're gonna expect.




8. The Brokedowns- Species Bender
Much like No Composure, this album never did leave my car stereo and honestly, I can't blame it. Probably in the same boat for The Brokedowns, their music is pretty underrated, only described as "a third rate Dillinger Four band". There is a lot more to that found on this CD, that will change the minds of nonbelievers everywhere. Till then, It's not leaving my car till their next CD.




9. Masshysteri- Self titled
This is the only record on here that has members found in another country, sweden to be exact. Is that a bad thing? No, but more surprising for me for reasons unspecified. That said, that was the only thing that hurt this record for me but I still found to be quite enjoyable. Prior to this, I had recently found out this band is going to take a break, probably indefinite. Hopefully, the group cheers up and starts releasing more albums in the near future.




10. Drunkdriver- Self titled
It's on here for basically being the last record these guys will ever release under the name of Drunkdriver. It's honestly pretty sad what the outcome was, considering that it shouldn't have been made as a big deal for what it already was. Regardless, after several teases from record labels unsure of releasing this, Drunkdriver decided to release it by themselves, Thankfully.

Couple 7 Inches that kicked ass:
Culo- Military Trend
Leather- Self titled
Manipulation- self titled
Rival Mob- Hardcore for Hardcore
House Boat- Processing Complaints

Demos:
Pukeoid
Razorfade
Body Cop

Bodycop- S/t Demo Cassette

Bodycop s/t demo
Fan Death Records 2010
1. Sisyphus
2. Loaves
3. Stay Alive
4. Don't Move
5. Pay Up


The first time I had ever encountered this group was actually from a post made on Maximum Rock N Roll, submitting a live clip of the band performing "Don't Move" at a DC show. Aside from the shitty video quality, Bodycop performed flawlessly, almost artistically if you will. Of course, I had no luck finding anything from the band what so ever online; No Myspace, No Facebook, No Blogspot, but this video and of course, another video interviewing the band (Now course, there's a little more videos going about). Most would have found it odd, considering the hype already given to the band, despite these somewhat crucial necessities that would add more advertisement to the band. Regardless, Once I heard a tape was to be released, I immediately purchased once; a bit excited to hear what the band would bring to the table, aside from the video.

For those unaware of exactly who Bodycop is, it's pure and simple. Hailing from DC, Bodycop provide a different take in terms of underground. Instead of partake in the sounds of original hardcore, Bodycop rather takes another approach to their sound. Heavily influenced by the earlier works of Swans, the band delivers a no-holds-barred attack; a distorted but demolishing bass lines accompanied by drone guitar sound that meshes perfectly with the tribal-like display demonstrated by their drummer and buzzing sounds found throughout the tape. Honestly, it fits perfectly to the Michael Gira sound, down to the core no doubt.

One of the tracks that seem to standout the most to me is "Don't Move", from the first second to last did that track seem to capture my mind. I can name a never-ending list of songs that grabbed me attention, just mainly from intro and this track is definitely added to the list. That drum beat displayed throughout the entire three and a half minutes were mind blowing, building up and up before it hit the chorus. Aside from the drums, the guitars were another factor; incorporating an industrial feel that echos a vivid scene of gears in place moving. I was even more astounded the screams coming out of Kiki, the band's vocalist. It gave the me chills just hearing her high pitch yells, reciting the lines "but oh you could risk this necessary force, but oh this force is necessary". This track was still stuck in my head even after hearing it, repeating over and over again. Fantastic.

"Payup" is another favorite of mine, the longest track on the tape with nine and a half minutes. At first, the track starts out slow before building up just a tad bit, with Kiki bellowing out ferocious yells and the band still laying down their groundwork of noise, buzzing, and feedback that still manages to draw you in. Personally, I feel this would fit nicely to a hallucination, mainly as I find to be very chaotic but somehow satisfying.

Their tape is out now via Fan Death Records, and I still think they have some left over, considering this was just released last month. For fans of Industrial music, such as Swans and Godflesh to name a few, this is highly recommended. For those interested to the appeal of this band, take a gander and hear this tape. For curious to this band from the amount of hype, just tune in and listen for yourself. I was meaning to upload and convert these tracks but another blog beat me to it (Well Fed Noise to be more specific). How laziness has it's toll on me so I provided the link from said blog and posted it on here. Hopefully, this will give the band some attention. Again, credit goes to Well Fed Noise.

DOWNLOAD

If by any chance the band catches wind of this and wants the link to be removed, just send me an email and I'll gladly remove it.

Fan Death Records

I'm also posting up the interview I was talking about from the band, courtesy of Denman Anderson. Gives a more inside look at the band. Enjoy.

Bodycop Interview

The Brokedowns- Species Bender

It was about a couple weeks ago when I headed up into the city for Riot Fest, mainly to witness Propagandhi and the Circle Jerks with my own two eyes. I had a lot planned for that weekend so by the time these two shows finally came around, I was prepared and just stoked to see both these bands and a couple others to have myself a grand ole time. Once the weekend was over, there were only two bands on my mind and one of them happens to be The Brokedowns, not only due to the fact of this review but seeing them live was honestly a blast; these guys definitely know how to crack some good jokes all while giving the audience what they want.

The Brokedowns, from Elgin, IL, have been cranking out some catchy, memorable tunes for about a couple years now, never losing steam on every album. Now with their third album as their debut on Red Scare Records, The Brokedowns have exemplified they're the next big band to not only keep an eye out for but possibly the next big thing in punk for the decade to come. Hell, it took me one complete listening to the whole album to get my attention.

The album starts off with "Wizard Symptoms", a track that's only less than two minutes and yet grabs you right in, with their crunchy, riveting guitar chords that seem to mirror Dillinger Four, but with more attitude provided, brought to you with lyrics reflecting magic and of course wizards. Odd? yes but damn it, do they make it sound so damn good. "I am a Ritual" follows next, displaying some ferocious chanting throughout, incorporated with a downright funky bass line and straight to the face attack from the rest of the band.

One of my handful of favorites off this album is "Noble Rot", due to the sample provided in the beginning of the track but mainly for the lyrics that are so fun to sing out loud, or if you're in my case, in the privacy of your own home/car/etc. The track showcases a great performance of the band, in regards to rhythm, from the drum beats that sounds almost tribal but still emphasizing a punk feel. Another favorite of mine is "This Cult is a bummer", in my opinion one of the stronger tracks off Species Bender. From the intro to the end of the song, The Brokedowns seem to have no difficulty getting attention from the listener, as the group includes a more melodic side to the album, provided by some strong background vocals and an interesting set of lyrics that set focus on past trends and just how dull they can be. Probably not a in-depth meaning about the song from yours truly but it still brings out The Brokedowns at their finest.

"Skvll Skewl" is another strong track in regards to rhythm that just meshes in nicely with the rest of the album. It has all the necessities for a Brokedowns song; catchy lyrics, furious but easy to sing-a-long too chants, crunchy-cut up guitar chords, and a simplistic bass riff that leave you on your heels and in the mood for starting some action. This track is what really sealed the deal for this band, since it has all the appeal that make for a great, stand out punk song that people will recount in latter years. That may take some time but for now, it sounds fresh and that's what counts.

In regards to the night I saw these guys live, I was pretty blown away at how they performed. The Brokedowns were funny, straight to the point, and played a good set that managed to impress the whole crowd attendance that night who would have otherwise dismissed the band for the headliner, Propagandhi to be more specific. Not only that, but the band even had a guy dress up as a wizard, informing the audience what song was going to be played with the band providing some hilarious one liners that never missed the audience what so ever. Quite impressive, if you asked me or anyone else who witnessed that show at Riot Fest.

If these guys ever manage to make across your town, I advise to make it out to said show and see it for yourself if still doubting my review. Same goes if not convinced on this album, but let's face it, when am I ever wrong in regards to good music?

The Brokedowns

Red Scare Industries

Oct. 14 The House Cafe- The Black Dahlia Murder/Goatwhore

I'll admit, I've lost my touch with the metal scene for the past two years now. Not anything personal to say that I dislike Metal, but I haven't able to get my taste-buds into any of the new bands coming out of the woodwork, at least that wouldn't conflict with my usual habit of metal bands, Motorhead, Deicide, and Kylesa. However, if there was one band that still grabbed my attention, it's Black Dahlia and last night is one pure example.

I remember just last year when a couple buddies of mine paid a visit up to The House Cafe in Dekalb, being fucking mind blown by Dahlia that night, recounting their tales of debauchery (i.e getting stoned with the members of Skeletonwitch) all the while head banging to the riffage of Dahlia. Due to being held up at work, I was bummed I missed out on a good ass show, and as time progressed to the now, I decided to have a first hand witness to their set, along with Goatwhore. A friend that went to said show last year and numerous others before chose to venture out as well, so that was that. The ride up there wasn't bad so to speak, despite our car breaking down on us but none the less, we managed to find a way to step a foot at the house cafe. To be in that situation, it was sheer luck.

Aside from our fouls, we managed to catch the first opening band by the name of Sleep Serapis Sleep. I wouldn't say they were the best band that evening but they weren't the worst. Not as much of a stage presence and their music wasn't mediocre or anything but it didn't really see anything about having potential, probably due to their short set. Some kids were feeling it while a huge majority of the crowd during their set continued to have their conversations or just stood there waiting for Dahlia. We passed their merch table prior to seeing their set and were somewhat impressed with their stuff. Once their set was over, we had ourselves a cigarette when one of the members of Sleep Serapis Sleep tried to obtain a sale from yours truly, but utterly failed. Not even worth mentioning if you think about it.

The next band up was Arkaik, a recently signed band from California. I was into their set for a good portion of it, overall. Kids were getting a little more into the show, starting a pit and pumping their fists in the air so that was good. Arkaik didn't miss a beat and still kept on trekking into their set. Quite impressive for a band on the rise, so I wish them luck on the rest of the tour with Dahlia and Goatwhore. Who knows, maybe they might grab the world by storm one of these days.

To write up how this next band played is pretty impossible, due to the fact it was one of the better sets I've seen at a metal show, period. Goatwhore were phenomenal, a must see band for those who haven't heard anything previous. They raged into their set like no other; incorporating blast beats, maniacal guitar chords, and a voice that seemed to mirror a cry from the four horsemen on the eve of an apocalypse. Biblical references aside, the crowd ate it up, going complete apeshit during their set. A pit started to unfurl and fists were going up in the air like no other, adding fuel to the fire for Goatwhore as they progressed. The chants of Goatwhore took place, with some even adding to keep on playing, but of course, it didn't occur. I admire the humor of these guys, mainly the singer and guitarist for Goatwhore. A man in a Banana costume was present at this show and the guitarist went into the mic and said "who is that guy in the costume. I swear, I've seen this guy at almost every show. Did someone lace my beer with acid, man?" It was non-stop fun with these guys. It made the trip worthwhile. If you haven't heard this guys, do it now.

Of course, how would the night go without seeing The Black Dahlia Murder? Odds are you would have had a bad night, in the since of a bad hangover to remind you of missing Dahlia. These guys were the show from the get go and once they started, the chaos started and from there on, it was no turning back, but who would want that anyway? I hadn't seen a crowd go hectic like that since July when I saw Failures and that was pretty fucking chaotic. Kids were going all over the place, to the front, back, sides, and even over the crowd as a couple kids went stage diving and getting kicked out in the process. One even fell straight to the tiles after diving, with a loud thump being overheard from where I was standing. Another kid kicked one of the lights, with the crowd providing a "Ohh!" in the background. From their earlier cuts like Nocturnal to their newer album Deflorate, Dahlia was on the move and made it quite clear. It was hard not to get into them at all, playing practically every song worth hearing live, from "Necropolis" to "a Vulgar Picture". I felt like a little kid at Disney world, still astonished at Dahlia, like it a vivid nightmare gone terribly right, without sounding oxymoronic or wordy.

If the tour manages to make a stop in your town, I advise you to head up and check it out. If you haven't managed to snag a copy of their new album Deflorate, do so as well. I've heard nothing but great reviews of it.

The Black Dahlia Murder Store

Goatwhore

Demonstration- Korova Demo

Korova- Demonstration Demo

1. Women of Sophistication
2. Magnets
3. Shareholders Meeting
4. Prophet with One Eye

There is nothing sweeter than a good ole dose of straight hardcore punk that manages to get you moving,especially one that is willing to combine a variety of different influences that some would not see coming in their direction. Korova seem to have this going on with their new demo, bringing a little bit of the old school hardcore feel, while creating a vibe of their own.

This Alabama band has been gaining buzz all around the world since their full length, Another Happy Customer, was released, getting compared to the likes of Black Flag, Poison Idea, and Ceremony to name a few. With the full length, a 7 Inch, and a couple demos under their belt, Korova have decided to release another demo in hopes of expanding their music and showcasing what this band is capable of, even if a couple kids are in shock and awe with their approach on hardcore punk.

Being new to this band, I didn't honestly know what really to expect but once I pressed the play button to their demo, I was hooked instantly from the minute the feedback had started. From there on, Korova blasted through like it was nobody's business. With these four new songs, Korova put a variety of different takes, incorporating a sludgish, heavier, style similar to Black Flag's My War, mixed in with feedback and vocals reminiscing Jerry from Poison Idea, all launched at top speed. From the first track off side A to the last, Korova doesn't lose its touch for the listener. I was pretty impressed with some of breakdowns that band had in it's second track "Magnets", having this dangerous deadlier vibe with their playing. To make things on the edge and interesting, the band also provided various layered samples through side A, sort of picturing an image of what a radio station would look like if Korova took over; Dismantled, Noisy, and in complete disarray, provided by commentary from a DJ who didn't know what to expect, anxiously awaiting for a response of help. The lyrics from some of the songs mainly deal with the "punk practices", referring it to a consume and digest kind of mantra exemplified on "Magnets" and "Shareholder's Meeting". Although a big majority of bands now a days often make political statements in their lyrics, none seem to manage capture the essential of real anger than Korova, something desperately needed in the current state of hardcore.

Side B is mainly a treat for the listener, showing how Korova would sound like when witnessed up close in person. Korova had recorded a live show during a tour with Vile Intent and Rational Animals, at Magic City Wholesale. Their set list consisted of songs from their catalog, along with an Infest Cover as a special incentive. I think it to understand how the band is live, heading down to any gig of theirs is in order. From what I heard though, it sounds like good ass hardcore show to partake in; lots of action from both the band and the crowd, no impersonations, just pure hardcore.

Demos are up for order at the band's bandcamp account for only $3.75 for the demo itself, a T-shirt package along with the demo for $12.50, and a digital download of the demo for any asking price, no joke. The demos are limited to 100 copies for the time being, but have provided a stream of the demo on their bandcamp site. The demo is worth the buy and considering the asking price for a digital download, It's not a bad deal at all.

One major aspect I found interesting about this band is the fact that Korova are quite supportive of music blogs, found inside and out on the internet, stating they haven't lost any sales what so ever in an interview with noisecreep a while back in July. Vocalist Ian Wise commented on the theory of music blog being the cause of decline sales of music, providing some interesting points for naysayers. I decided to put in that link as well, in case people are curious to hear his standpoint. Overall, the demo is superb in my book and I anxiously await for future releases from Korova. If still unimpressed by any reason, you might as well plug in nothing and hit record.

BUY


"We haven't lost one Sale to anyone from Music Blogs"

Daydreamnation- Double Negative

Double Negative
Daydreamnation
Sorry State Records
2010

It's been a long wait for this LP, considering the numerous delays, unforeseen mishaps, and a genre anxiously anticipating a much needed kick in the ass that would help bring back a more dangerous and exciting feel back to a scene on the verge of dying, at least in a couple people's perspectives. I admit, it's wrong to say that this scene is nearly dying, but I mean it in a way that would boost the morale of the kids these days. This band has clearly met these expectations and I must say, it's quite glorious.

Double Negative are one of a certain number of groups that have gone into the experimental route with their music, incorporating something new each time in their work. Whether it's adding more feedback, involving a sludge sound, or playing ridiculously fast, DN seem to never lose their edge, melting the faces of anyone who happens to be in their way.

Daydreamnation is one never ending ride from start to finish. In comparison to The Wonderful and Frightening World, the band has surpassed expectations and lived up to the well deserved hype surrounding this record. Compared to the whole production of their previous LP, Daydreamnation has more of a sludgy feel, yet manages to still instill an impression. "Beg To a Vile Nude" is more clearer example, with the band showcasing a more slower, pacing intro, more or less reflecting a Jesus Lizard vibe, before going into a faster tempo. It's one of those tracks that happens to get you off guard before you realize how truly great it sounds.

However, branching off to new territory doesn't mean the band has lost their roots. "Endless Disappointment" seems like this track should have been included in their previous LP. None the less, the track is fantastic and sounds rather devious along with the rest of the album. Guitar riffs that would mirror a Sonic Youth influence, strong usage of vocals, and just a great tempo that makes for a legendary track.

"Hospitality" has once of the best bass intros that I've heard in awhile, that would fit nicely on a sludge metal album. The track showcases a rather better description of what hardcore should sound like, but that goes in a different topic that would seem to never end. Anywho, Double Negative haven't missed a second and still kids are shocked as to how fucking good this LP sounds.

If this album were to cement Double Negative into legendary status, I wouldn't be surprised, considering the wait was well worth it. If this album was somehow deemed the best hardcore record of twenty-ten, I wouldn't be surprised either. Hell, if a more mainstream outlet managed to get a hold of a copy, I still wouldn't be surprised. This was the mere kick in the ass the current music scene needed, one that would be remembered for quite some time. I remember hearing the band didn't want any download links what so ever, which is fine by me. The whole package itself is worth paying for, but that's just a mere opinion. If you happen at this point not have yourself a copy of this record, I advise you go out and get one. you'll understand once you witness the sheer power of this record.

Sorry State Records

Strangelight 8/18: Nazi Dust, Population, Leather, Poison Planet, Culo

In my opinion, it was too much to pass up not witnessing Nazi Dust live, taking a chance to witness 5 other shows going on yesterday night on bands I could have cared less for (I'm referring to Bane and Trapped Under Ice, course I'm speaking out of spite). So determined to rid my conscience off, I decided to pay the strangelight a little visit to see Nazi Dust. Boy what an adventure...

I had heard quite great things about the strangelight, mainly since the media here in the city hypes the venue and volunteers every now and then for producing DIY shows and being able to hold up an event like the DIY fair held a couple months back. I'm sure this was no different than any other show space in the city, such as Ronny's and hell, it might be a little bit fun being a basement with rambunctious kids. Located conveniently beside Congress theater, I hoped the Blue line towards California stuck hearing odd conversations about a penguin named goose and almost got lost off Milwaukee. Never the less I made it in peace, and payed the door man $6 in time.

The show didn't start later on till 8, despite the numerous flyers handed out and different sites stating it would start at 7, sharp. It didn't make the show worse at all for me, as I was overhearing Nazi Dust's conversation on Juggaloos and Pirate punk. Quite humorous guys once they get out of their shell. One of the guys leading the shows seemed pretty timid and controlled, but disappointed kids were seeing Bane rather than Dust. Oh well, shame on them.

Culo started up the show quite nicely and encourage a couple of kids to get a little pumped. A band from Elgin, a little county in Illinois, Culo received some national coverage due to an interview with Maximum Rock N Roll a while back, not to mention their 7 inches that will most likely gain them status for years to come. Any who, these guys were great, unleashing a band off fury for an opening band. no mishaps, no worries, despite the crowd not being so much active. In fact, we were quiet, oddly. I blame myself but hey, it didn't slow these dudes one bit and I give them credit for it.

After a brief intermission, Poison Planet were up next to give off some of their energy from their performance. At first I was unexcited by their music, since it was really dreary, slow, the synth was pretty annoying, and I couldn't hear the vocalist from the point where I was standing. However, after time passed, their set wasn't really too bad. The group played off in the manner of Joy Division, giving off that 80's vibe. It didn't hurt them either, but like I said, I gotten bored pretty quickly. No worries though, Poison Planet did pretty decent, at least I wouldn't call their performance or music terrible. I wouldn't hurt if I had listened to them earlier.

After some weird misunderstanding from the lineup, Leather was up right after Poison Planet. Straight outta Philly, Leather put on a very outstanding set. The band was furious, straight to the point, and turned many heads that night. The crowd energy came back during their set, as a couple of kids were starting little pits here and there. Leather even played a Cro-Mags cover for the audience, getting a little more people into their set and joining along for the pit, chanting "DON'T TREAD ON ME!". Although I'm really dismissive of the current hardcore scene aside a couple of bands, Leather really impressed me a whole lot. Kudos Fellas, Kudos.

Population was the second headliner that evening, hailing from the city of Chicago. Population features members from No Slogan, Ultratumbados, Raw Nerve, and Razorfade, playing the same vein as those bands as well; pure unadulterated hardcore punk. the vocalist overall thanked the crowd, the bands, and the caters that evening before engaging into their set list. The band still gave out that same energy Leather unleashed earlier, but the lack of crowd movement probably hurt their set list a little bit. None the less, The band was pretty impressive, dishing out great hardcore songs with all the bullshit needed. It's pretty hard to find bands like that around these days.

Nazi Dust finally graced the stage, at least 3/4 the members did anyway. I still have no clue on the whereabouts of bassist Dan Rossiter, due to many rumors surrounding him via absence. That probably hurt the group for a big portion of their set, although I give them credit for still going on a limb to tour the east coast. Despite Dan's absence, the band went on with the show, playing songs from their well recognized 7 inch and revered Demo tapes. The vocalist was all over the place with no doubt and the guitarist and drummer made no mistakes, and kept on trekking never missing a beat. Much like Population, no crowd movement took place, despite displaying a ferocious, hard-hitting set. I guess it would have worked better had Rossiter taken part of the gig.

All in all, the show itself was not horrible. Sure the lack of crowd energy hurt a good portion of the band's set, but despite the faults, the show was still a success. A bit disappointed Nazi Dust didn't have any of 12 rumored to be released this summer, but none the less, I give them luck on the rest of the tour. Was the hype surrounding the band necessary to see them live? that's up to the scene to decide. As for me, I don't think they were all that terrible to miss out on, considering the options I had for shows yesterday evening. It beats seeing Bane, that's for sure.

Civilization gone Deaf-Mute: Ceremony Rohnert Park

Ceremony
Rohnert Park
Bridge Nine
2010

1. Into the Wayside/Sick
2. M.C.D.F
3. Moving Principle
4. The Doldrums (Friendly City)
5. Open Head
6. Into the Wayside II
7. Terminal Addiction
8. Don't Touch Me
9. Back In '84
10. All the Time
11. The Pathos
12. Nigh To Life
13. Into the Wayside III

If the name Ceremony doesn't pop off in your head and you claim to be a pretty big fan of today's hardcore scene, then quite frankly you have no idea on what you're missing out on. Course, it might be a little impossible to not have heard about Ceremony at one point, considering they're one of the more popular hardcore bands today. Out of the bands gaining mainstream exposure these days, Ceremony are about (probably already even there with this LP) close to be joining the ranks of Trash Talk and Fucked Up as the most critically acclaimed acts. Hardly a surprise but quite a feat for this group.

This Californian monster made their presence known with Thrash/power-violence like influences found on their earlier releases, such as Violence Violence and Still Nothing Moves You. Ceremony has been described as being the most chaotic, wild, and at times violent during their performances, leaving kids astonished and their peers in the dust.

Despite the accolades, their most recent LP, titled Rohnert Park, is quite a vast change and improvement for Ceremony. Long gone are the Negative FX influences in their sound, long gone are the less than a minute tracks that are hard to follow. Instead, Ceremony went on a different route that most of their peers surprisingly avoid, despite the claims of influence and inspiration. the group decided to take a leap in the Black Flag, SST-esqe sound that ultimately created hardcore in general. A big leap indeed.

The entire LP in general is different. From "Into the Wayside/Sick," the band lures you into their hate-filled world, being sick of the GOPs, Liberals, Obama, and ironically Black Flag and Cro-Mags. Lyrics aside, The instrumental portion on the first track mirrors the sound of the Minutemen, echoing a rockabilly-esqe vibe before the madness occurs. Other than the sound, Ceremony decided to include instrumental portions throughout their album, three to be more exact, all titled Into The Wayside, each showcasing that Minutemen vibe in each portion; never a bad thing if you ask me.

If there was a more straight up comparison to Ceremony to any album of Black Flag's discography (I should probably stop name dropping Black Flag too much), My War would probably be the better choice to compare side to side. Though Ceremony doesn't take that doomish-sludge sound, much off every other track found on Rohnert Park brings up that same My War feel; fast, angry, youthful, '84 type of production. It probably would explain why one of tracks is tentatively titled, "Back in '84".

Much like what occurs when a band changes their sound drastically, fans are found to be divided and maybe lost on what would categorized as being their best work. It happened to Black Flag, and more recently Cult Ritual, both bands embracing different directions that left people in the hardcore scene complaining on how terrible or great those routes were. It's really to be expected when happening but let's face it, an artist eventually has to branch out into different areas in order to be considered great.

As for Rohnert Park as a whole, I found to be quite enjoyable at least for my standards.It's no Violence Violence, but hey, it still works for me. Somewhat aghast to the drastic change but great none the less, considering how most bands never fully take that chance and plus, let's face it, Ceremony never seem to disappoint and always deliver that their fans want; pure rebellious music. I hope this group fully gets what they deserve.

By this time, Ceremony are finishing up their touring through the US and to my knowledge are heading up to Europe very soon. My advice would be catch their set in person. I guarantee you'll be left in the dust.


Bridge 9

"Huffing for Gas means braking for Assholes": The Dopamines Expect the Worst

It might be a little risky to fully declare this LP one of the best pop punk releases of this year, considering we're only in August. But honestly, It's going to be quite tough to really top this album.

Hailing from the Midwest(Ohio to be more specific), The Dopamines have been going non-stop in trying to get their name across the mainstream, playing and set to be appearing at various fests; Insubordination Fest, Riot Fest, The Fest just to name a few. Their tour dates have been pretty hectic of late, but are receiving success and much anticipation in this hear release. Is this record worth listening too? Yes, in fact.

Compared to their self titled album, their music hasn't change so much, at least indicating any other genre of music. It's Pop punk, what can you expect really? Their lyrics are somewhat referring to same subjects found in their previous album, such as heartbreak, booze, faults in people, boozes, drugs, booze. Nothing too vaguely different, but what gives this album the punch it deserves is really how the songs are displayed. The Melodic vocals, the driven bass lines, engaging guitar chords, and the just hilarious, catchy, lyrics ever written. Probably a little bonus for TV lovers would be the Futurama sample found on "Waking up In The Monroe House with cat hair in my mouth".

Some of my personal favorites are "You'd make a good Horsecop", the first track off this record. This is one of the tracks that displays great duo vocals from the group, not to mention inspired the title of said review. Another catchy track stuck on replay in my head is "Thank You Very Much", mainly the chorus is repeated in my mind, but try naming a song with a chorus that's pretty irresistible to sing with your thoughts. The track's great if you're ever stuck in a nostalgia moment with friends, recounting old memories found in the back of the closet, good or bad I suppose.

I hope this group gets the attention they deserve when the years comes to a close. Just this year alone, I've encountered this group three times and each of those times they've never failed to disappoint live when they come down to the windy city and the surrounding suburbs of my little town. Truly this band is great, even if you don't like pop punk music what so ever.

Some say pop never truly recovered since the hiatus of the Descendants and with the break ups of soon to be legends in underground music, namely The Ergs! and The Steinways but if there was a stable of bands that were continuing to prove otherwise, The Dopamines would no doubt be included. It's like the saying goes about the Midwest, "We're Strong-You're Weak".

If they're in your town, do the best thing and support these fellas, whether by buying their merch or a case of beer. Nuff said!

Invest and Sacrifice

August 18th, 2010
Nazi Dust
Leather
Population
Poison Planet
Culo

2123 North Milwaukee Avenue
7 PM, $8

I'm anticipating seeing Nazi Dust, mainly due to the over resounding hype on their new LP being dropped this month by self release I presume (too many rumors surrounding Youth Attack and Dan Rossiter, what a surprise). Anywho, support the group and head out.

Ratas Del Vaticano: Mocosos Pateticos LP

Probably one of the finer bands coming straight from the south of the border, Ratas Del Vaticano are a band not to be reckoned with, and honestly, who would want to even doubt that?

I stumbled across this group while engaging myself in once-a-week radio show brought to you by the folks in Maximum Rock N Roll. Yea, it's pretty damn easy to say "FUCK MRR!", considering the older generation of punks had a distaste for their politics and close mindedness and a bit part of kids new to punk take those words to heart and start stating these reasons without really seeing why these points were made in the first place. None the less, It should be recognized for bringing various artists from the underground to our ears, whether from distant countries or even from our own backyard. Aside of that, They happened to play "No Busco Problemas con la Autoridad" from Ratas Del Vaticano and I remember being startled by their sheer attitude displayed. Translating the song title only made sense to the sheer attitude and I put Ratas in the bands to watch out for pile, along with numerous others too long to put into said post.

Hailing from Monterrey, Mexico, the band reminds of another Hispanic punk group, Los Ninatos, mainly for the production on their LP. It gives off this snotty, careless, noisy, don't give a fuck sound to their tracks, which also makes sense to why their sound startled me. However, it is why this makes this LP worth a listen too. Lyrics maybe hard to translate but that's beside the point. Roughly lasting about 35 minutes, the band goes through 23 songs in the good ole hardcore fashion. A standout on this LP is "Olvidalo", with it's hypnotic guitar intro that draws you in from the get go. From there, you either get lost or get sucked right into it's sheer aggression, emphasizing how Punk should sound like, instead of relying on the look.

I must say that this band is quite a treat to listen too, I mean, I don't honestly find anything terrible with their sound, lyrics, anything at all. I must say, I'm actually quite anticipating on where they will go with their next LP. Hopefully, they will stick with their guns and try out another direction to their sound. Until then, I'll have to stick this fine piece of wax.

Cheers!

Ronny's 7/9/2010

I've been anticipating this show for awhile, considering I've been on a dosage of Youth Attack! bands the past few months, including Failures and Raw Nerve. It seemed right to finally witness these two particular bands in person, instead of just continuing to replay their records on repeat and not have a clue on what I missed out on. So doing what would make sense, I went for a little ride on the CTA and headed out to Ronny's.

It took a good while for the show to actually set up; exploring around the venue and watching the first band set up their equipment. I watched the small crowd of maybe a dozen people reach to an estimate crowd of 60-70, engaging in their own realm of conversation on music, all while counting just how many kids in Black Flag or Minor Threat shirts would appear. 3 for Minor Threat. By the time 7:30 reached, the first band finished doing sound check and the show began.

Razorfade started the show with a bit of a comical inside joke, as the guitarist played a Red Hot Chili Peppers track and the singer joking sang along. For those not in the know of the Chicago scene, Razorfade display an intense ferocity, unmatched since the dawn of original hardcore in regards to the newer bands in the limelight now. They had actually released a demo cassette on Youth Attack at one point, emphasizing a point made by naysayers who complain about "crappy demo tapes that sell out within an hour". Despite criticism mainly to the label, I was impressed with their set. Much like their description, the band was in-your-face throughout their set showing aggression as they ravaged their instruments intensely. A few audiences members were the same; showcasing their "hardcore dancing" and dog piling on one another. Even once their set was over the drummer had thrown his snares and symbols all over the place and angrily got off the stage. I managed to actually cop a copy of said demo cassette talked about above, righteous.

Raw Nerve, another local Chicago band, came up afterwards, and basically show up the entire venue in all of their set. The band played a majority of their catalog from their recent LP released earlier this year, as well as their earlier records. In my opinion, I have yet to see that kind of chaos in any show that was displayed during Raw Nerve's set. One particular moment was the build up to one of their tracks "Crossed", with the audience actively matching the tempo of the song; slow pace but strong once a move was made, similar to a rattlesnake's bite. Their set was paralleled that night except for the headliner but damn impressive for a second band playing. Kudos.

After Raw Nerve's set, Red Dons were up; mixing up the vibe at Ronny's. The group is more powerpop-ish, playing more in the vein of the '77 bands, yet still maintained the same attitude of aggression found in hardcore music. Red Dons sounded very great; not missing a beat or losing their cool while playing, however they didn't make quite an impression the audience compared to Raw Nerves, with a majority of the crowd standing still. Red Don's singer complained about the lack of movement in the crowd, but the crowd didn't follow through until the singer himself had to come in and make some movement occur. Despite his failed attempt, the band was not the weaker band that night. It would have helped them a little more had the audience really came through, but none the less, they were great.

Vaccine's set is probably the most shortest set I've heard in a live show, not so much surprising consider their songs barely reach the minute mark. This powerviolence group grabbed a good portion of the audience's attention with their try-to-keep-up-with-us sound in all of their songs. Vicious, malevolent tracks at a speed unimaginable to the human ear in an estimate of 10 minutes. It's quite difficult to really "bad mouth" the group, but it sort of was the same particular tone that had occurred with with Red Dons.

Failures were probably the main reason why a good portion of the crowd was there. Much like Vaccine, their set was considerably short yet grabbed a majority of the crowd from the get go. It was hard to keep with the band, as well the audience members themselves; dog piling each other, running into each other, getting up on stage and almost knocking down one of the speakers crucial to the sound system. It was chaos at it's finest, undoubtedly. A moment that rings to mind was when vocalist Mark McCoy played a Negative FX cover and the crowd instantly chanted the words to "Might Makes Right". The band didn't even miss a note and barely stopped at all in this ongoing chaos. Of course, I didn't doubt this sort of thing would unfold in front of the my eyes but to actually witness it in person was remarkable. Once the set was finished, McCoy jumped offstage and immediately went through the door and the set was finished. A good note to end the show.

There are quite a lot of bad mouthing around, at least in regards to how the current Hardcore scene stands up to the original squad of bands, such as Black Flag, Minor Threat, and Void. Most naysayers would say that the current scene is a lie or even state it doesn't display the same amount of excitement or danger than the major hitters. My view on it; You just have to find the right bands to really feel that same tone that most describe. Till then, Cheers!

Rearing

Ronny's- 8$

Failures
Raw Nerve
Red Dons
Vaccine
Razorxfade


Failures will pay Chicago a visit, one of few shows planned prior to Dude Fest.
My Advice; be cautious.

Kids of the Black Hole Sun: House Boat Processing Complaints 7"

Just hot off the trails of releasing what many in the pop punk world consider to the be the best pop punk album of 2009, House Boat is at it again with a new 7 inch, ready to take asses and kick a couple of names.

Released on Traffic Street Records, House Boat picks up right where they left off; putting out catchy, irresistible tracks about life, girls, and everything else worth chattering about in 5 great tracks. Honestly, a little quite better than their previous LP. Great effort I might say. "The Self-aware Octopus" is one of the favorite tracks, displaying a fantastic usage of background vocals from Guitarist Zach, meshing perfectly well with Grath's vocals. Most fans will probably be disappointed in the fact that Mikey Erg doesn't sing too much in the band, except for a couple of lines in one song, but never fret, Mikey Erg appears in the first track "DC Showcase Presents: Inferiority Complex, Volume 420", with the group showcasing a bit of complexity in their sound.

Unaware of House Boat, here's a brief synopsis. Considered the super-group of pop punk bands due to members being in high regarded bands, such as The Ergs!, The Steinways, Dear Landlord, and Off with Their Heads. Already are receiving rave reviews following their debut LP, The Delaware Octopus.

I advise you to pick yourself up a copy. Traffic Street is still offering an exclusive package, which includes the 7 inch itself, a poster, pin,a sticker, and a download card for the Ipod generation. The rest of the package is pretty pointless in my opinion, but hey, it works. The band is also scheduling an appearance at this year's Insubordination Fest, featuring The Dopamines, The Queers, Teenage Bottlerocket, The Copyrights, and various others in Baltimore, Maryland so for those in that area, don't miss out.

House Boat Myspace

Traffic Street Records

Que Pasivos, Que Muertos: N.N Pasivos/Muertos 7"

This band is relatively new, at least in regards to Martin Sorrondeguy's music timeline. N.N. is a San Francisco Hardcore/Punk band, featuring members of Los Crudos, Limp Wrist, and Needles. Much like Los Crudos, the band displays harsh realities of life in their lyrics, all written in spanish, playing a relm of hardcore mashed in with a supple mix of Rock and Roll.

N.N formed way back in 2002, when the members finally got around to the idea of starting a band. As Martin puts in in their interview with Maximum Rock N'Roll in 2009, "We came into the band really slowly, but we were all like, "let's do this." We all understood where one another was coming from because we were all coming from a dark period. We all fit in that way."

Pasivos/Muertos 7" is their second to their credit, the first being a self-titled 7" that was released on Sorrondeguy's label Lengua Armada Records in 08'. This record sounds pretty catchy, despite genre labeling. A personal standout in my opinion is "Abrazos", a song explaining how we should come together, not in a sappy way I mind you but the idea of unity, despite the hardship. "Policia" is of course is dedicated to the police, exhibiting quite angry lyrics towards them. It's easy to quite get across, considering the first line in the song translates in English "you're useless". The record is a must have for a 4 song record; short, to the point, and manages to get the job done, or in this case, the damage done. Kudos to Martin and the crew, keep it coming.

As for attaining this record, I advise to check out your local record store. I managed to capture me a copy of this records from Reckless Records in Chicago, since I was informed by Martin himself he had no copies available. For those that live in Chicago, gracing the store with a visit would do wonders, but for those not in the Midwest, visit Reckless.com and you will thank me.

Reckless Records

Maximum RockNRoll

"I've done unspeakable things again"

Summer's coming around the corner, meaning that more shit is going to hit the fan. One example for my case; Mark McCoy's group Failures is hitting the city of Chicago, bringing them a flurry of bands either found too terrible for the softest ears,too underrated for the mainstream, way over hyped, or just misunderstood. Regardless, The madness begins.

Benefiting for Failures, I figured I would post a review on their most recent release in their catalog; Failures 7" released on Painkiller Records last year. I stumbled on this 7" just prior to a month after it was put out, a bit intrigued with the art cover. My ears haven't been the same since putting it on the record player, Where the fuck have I been? 4 songs all together, less than seven minutes, straight to your face hardcore that will leave you in the dust. Not bad McCoy, not bad at all. A favorite track in a particular is Dovetail, barely less than a minute and 30 seconds in good ole' hardcore fashion, whatever that may be.

Anyway, anyone unfamiliar with Failures is obviously unaware of Mark McCoy, founder of Youth Attack! records, and vocalist for power violence pioneers Charles Bronson and Das Oath, the latter being renowned in Hardcore history. Other than those two bands, members of Failures have also been in Cancer Kids, Orchid, Ampere, and Cut The Shit, Jesus what background history. I've heard from crazy rumors surrounding the guy, not to mention his artwork gets me a little queasy and unsavory but let's face it, the guy is one artist in his own realm and that is worth giving credit for.

So do yourselves some justice and tune into this band. As of late, Failures is hoping to record a new LP, and plan a short tour from NYC to the Midwest, culminating with an appearance at Dude Fest in Indiana. My advice; show up at these shows and witness Hardcore in it's purest.

Youth Attack! Records


Failures Blogspot


Painkiller Records

Dude Fest 2010

A Nod to Chevy and Norm...Ergs style!

It's been a long ass while since I wrote on here. Might as well make this thing memorable since I'm at it. Just this month, I bought myself a little 7 inch that is truly a keeper, at least in my opinion. I'm talking about The Ergs!/ The Measure (sa) split released on No Idea a while back.

For those unaware from the picture above, The split gives a nod to both former SNL members Chevy Chase and Norman McDonald, with each band having a cover of both comedians on the split. How? well, the split is actually two 7 inches. Yea, two, and both of them are a necessity.

First up, undoubtedly is The Ergs!. The following tracks come just after their breakup in 2008, during their recording of their supposed last EP That's it, Bye! Regardless, these just may be their most standout tracks yet. One EP has two originals "Dullards and Dreadful Prose" and "Encyclopedia Self-Destructica", with the second split contains tracks "Workage" and "I'll Thrash You When You Think of Me", a shorter version of "I'll Call You When You Think of Me". Just hearing these songs will bring back reminisces of the past, going back to when The Ergs! were still around.

The Measure (sa) has an Ergs! appeal as well, mainly due to Mikey Erg playing the drums for the band. Regardless though, The Measure (sa) is quite the crowd pleaser, playing in a more melodic direction than the Ergs. I'm more fond of vocalist Lauren Measure. Listeners will understand what I'm referring too hearing their takes on "Dullards and Dreadful Prose" and "Workage". The Measure (sa) also provide two originals on each split, aptly titled "Don't Fuck This Up" and "Get It Together", that will heavily go along with their repertoire. Both splits are a must for pop punk fans, looking to get a fix.

http://noidearecords.com/

When the walls come down...

Iain Burgess, the man most known in the punk community for producing the most well known bands in Chicago, has passed away today in his home in France, from pancreatic cancer. He is accredited for building the "Chicago sound", producing seminal albums from Big Black, Naked Raygun, Pegboy, Bhopal Splits, Ministry, and among others. He will truly be missed.

The picture above was actually from Burgess' website that he kept running, providing interesting takes in his studio, his pets, and more. I'd advise you check it out.


http://www.iainburgess.com/

Blood Visions

It has come to my attention that garage rocker Jay Reatard was found dead in his Memphis home today at around 3:30 this morning. He was only 29 years young.

It's truly a shocking, surprising, and utterly terrible to hear, considering he started so young and was garnering some well deserved attention that seemed to leave us with the impression that a legend was being made. I remember seeing him live at my first ever Riot Fest in 2008, and was pretty impressed by his stage presence that evening.

Let's just hope he's having fun with all the rest of the punks that have gone either way too soon or shouldn't have left at all. For now, the world seems a little more empty without. RIP and condolences to your beloved family.